Tuesday, December 9, 2008

Behind the Praise - Sunday December 14, 2008

"Joy To The World"


One of our most popular Christmas carols is the result of the efforts of Isaac Watts and Lowell Mason—and, some believe, George Frederick Handel. Watts was a frail, quiet man only five feet tall. Mason was an energetic publisher, choir director, and composer. Handel was a large, robust musical genius. Handel and Watts were contemporaries in London and one imagines they must have appreciated each other's talents. Mason lived 100 years later in Boston.
In 1719 Isaac Watts, already a notable scholar and author, sat down under a tree at the Abney Estate near London and began to compose poetry based on Psalm 98. Watts had begun writing verses as a small child. In his teen years he complained that the songs in church were hard to sing. His father said, "Well, you write some that are better." And so he did. For the next two years, young Isaac wrote a new hymn each week. (He would eventually write more than 600 of them, all based on Scripture.) Today, hymns like "Alas! and Did My Savior Bleed" and "When I Survey the Wondrous Cross" are hallmarks of the Christian church, and Watts is regarded as "the Father of English Hymnody."In 1741 George Frederick Handel, who was already famous as the composer of several operas and oratorios, decided that he wanted to do a truly great work. After spending time in prayer, he arose from his knees and for 23 days labored almost continuously day and night. The immortal Messiah, now a Christmas tradition, was the fruit of that incessant struggle.A nobleman once praised Handel for the "entertainment" he had furnished in one of his compositions. In no uncertain terms Handel let the nobleman know that his music was composed to make men better, not to entertain them.Almost a century later, Lowell Mason set Watts's poem of "joy" to music. For years it was assumed that Mason used tunes from Handel's Messiah for portions of the arrangement, but the veracity of that claim is now debated among scholars. Listeners can judge for themselves. But this we know: It was Mason who ultimately brought the pieces together to give us "Joy to the world"

Click here to listen to the acapella group Take 6:www.youtube.com/watch?v=evywpq32Oa0

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"Joy, Joy" Worship Choir & Soloist Ben McLallen


Click here to listen to the song:



"Angels We have Heard on high"


The words of the song are based on a traditional French carol known as Les Anges dans nos Campagnes (literally, The Angels in our Countryside). Its most common English version was translated in 1862 by James Chadwick. It is most commonly sung to the hymn tune "Gloria", as arranged by Edward Shippen Barnes. Its most memorable feature is its chorus:
Gloria in Excelsis Deo! (Latin for "Glory to God in the highest")

Click here to listen to Josh Groban:



Click here for an arrangement by Christina Aguilera:



"What Child is This"


What Child Is This?" is a popular Christmas carol that was written in 1865. At the age of twenty-nine, writer William Chatterton Dix was struck with a sudden near-fatal illness and confined to bedrest for several months, during which he went into a deep depression. Yet out of his near-death experience, Dix wrote many hymns, including "What Child is This?". It was later set to the traditional English melody of "Greensleeves".


Click here to listen to the song:



Click here to listen to Josh Groban:



"O Holy Night"


"O Holy Night" ("Cantique de Noël") is a well-known Christmas carol composed by Adolphe Adam in 1847 to the French poem "Minuit, chrétiens" by Placide Cappeau (1808-1877), a wine merchant and poet. Cappeau was asked to write a Christmas poem by a parish priest. It has become a standard modern carol for solo performance with an operatic finish. In the carol, the singer recalls the birth of Jesus. It was translated into English by Unitarian minister John Sullivan Dwight, editor of Dwight's Journal of Music in 1855, and lyrics also exist in other languages.
On 24 December 1906, Reginald Fessenden, a Canadian inventor, broadcast the first AM radio program, which included him playing "O Holy Night" on the violin. The carol therefore appears to have been the first piece of music to be broadcast on radio. It later appeared in an edition of carols by Josiah Armes, published by Oxford in 1936, subsequently increasing its popularity.


Click here to listen to Josh Grobans' arrangement:



Click here to see the other arrangements available:




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