Behind the Praise - Sunday March 1, 2009

"Sing to the King"

This song was written by Billy James Foote. The song is based upon the hymn by Charles S. Horne. Here are the original words penned in 1910. Notice the similarity between the Horne's words and Billy's adaptation of the song.

Sing we the King Who is coming to reign,
Glory to Jesus, the Lamb that was slain.
Life and salvation His empire shall bring,
Joy to the nations when Jesus is King.

Refrain
Come let us sing, praise to our King,
Jesus our King, Jesus our King,
This is our song, who to Jesus belong:
Glory to Jesus, to Jesus our King.

In the summer of 2001, I was sitting in my office, in Evergreen, CO, reading through a Baptist Hymnal when I came across an old hymn called Sing We the King, written by Charles Silvester Horne. As I read the first verse I was amazed by the lyrics. There was not a wasted word. I had been working on a melody for several weeks, but did not have any lyrics. Horne’s first verse was a perfect match to the melody I had written. It did not take long to come up with a chorus. The second verse takes two phrases from Horne's last verse including, "satan is vanquished and Jesus is King". Of course, I have documented this on both of my worship projects and try to make sure everyone who records Sing to the King does the same.
My prayer is that this song will remind the church that the King really is coming back. It seems as though we have left this fact out of worship songs for too long. It is encouraging to be reminded that the enemy does not win (Rev. 20:10). We have a hope in the knowledge that the King is going to one day split the sky and the dead in Christ will rise, and believers, who are alive, will be caught up in the clouds to meet Him. I also pray this song will give the church a sense of urgency to win the lost; as Fanny Crosby said, to "rescue the perishing, care for the dying." We must not be idle, but live as those who know the King and know He is coming to reign.

Learn more about Billy's ministry on his myspace website & ministry website:
www.myspace.com/billyfooteband

Learn more about Billy's ministry here:
www.billyfoote.com/

Click here to worship along on the passion recording:
www.youtube.com/watch?v=GrsrPfGmpPg&feature=related

"Everything I Desire"


Click here to listen to the song:
www.rhapsody.com/the-brooklyn-tabernacle-choir/tracks.html


"O How I love Jesus"

Frederick Whitfield was an Anglican clergyman who lived from 1829-1904. The hymn he wrote, "Oh, How I Love Jesus", became a favorite in the evangelistic crusades of Moody and Sankey. It originally had 8 stanzas but only 4 are found in most hymn books. It was first written in tract form in 1855. The entire hymn revolves around the name of Jesus. What a powerful name! The name of Jesus promises us great things from the Father. It promises to be with us in every circumstance. How we should love Jesus for all the great things He has done and is doing for us.
There is a name I love to hear, I love to sing its worth;
It sounds like music in mine ear, the sweetest name on earth. It tells me of a Savior's love, who died to set me free;

It tells me of His precious blood, the sinner's perfect plea. It tells me what my Father hath in store for eve'ry day,
And tho' I tread a darksome path, yields sunshine all the way.
It tells of One whose loving heart can feel my deepest woe,
Who in each sorrow bears a part, that none can bear below.
Oh, how I love Jesus, Oh how I love Jesus,
Oh, how I love Jesus, Because He first loved me!

Click here to worship along on the song:
www.youtube.com/watch?v=WTv2Eg4lxBM

Click here to hear Elvis sing the song:
www.youtube.com/watch?v=B2z5IacR_3A

Click here to worship along with Melinda Watts:
www.youtube.com/watch?v=pY0fI4FXJOM

"God of My Days"

Zach Neese's perspective:

"God of My Days" took me two years to write, because I was concerned about the hearts of the people that it would minister to. The lyrics had to be true in the mouths of both mourners and people who were rejoicing. It had to ring true as a sacrifice of praise and as a statement of faith. I began writing out of a holy discontent. I was frustrated by the Church's tendency to paint a happy face over the reality of people's suffering. Sometimes Christians come across as uncompassionate because we deny or fail to address people's pain. Our churches are full of people who are hurting, and many times we make them feel guilty about it.God isn't afraid to talk about pain. He never denies it. He guarantees it (John 16:33). He also guarantees that He will never leave us to face it alone (Hebrews 13:5) and that He is bigger than whatever we're facing.He is the God of every season and situation of our lives.Recently, my wife Jen and I had a baby girl, and God was right there rejoicing with us. A few years ago, we lost a baby boy. God was there for that too, wrapping us in His powerful, comforting arms and helping us mourn. In both situations, He was God. In both, He was worthy of praise, and from both, He will bring something miraculous.Maybe I don't understand. But I believe. He is God of my days, King of my nights, Lord of my laughter and Sovereign in sorrow. He is the Prince of my praise and the Love of my life. He never leaves me, and He is always faithful. He is the God of my days.

Click here to visit Zach's myspace - you can play the song from here.
www.myspace.com/zachneese

Click here to worship along with the gateway worship team:
www.youtube.com/watch?v=qHGaXj-gdEc

Click here for another arrangement:
www.youtube.com/watch?v=YBAExdZPad8

"Psalm 51"
our own John Brewer wrote this paraphrase of Psalm 51.

"O, For a Thousand Tongues to Sing"

Charles Wesley was suffering a bout of pleurisy in May, 1738, while he and his brother were studying under the Moravian scholar Peter Böhler in London. At the time, Wesley was plagued by extreme doubts about his faith. Taken to bed with the sickness on May 21 Wesley was attended by a group of Christians who offered him testimony and basic care, and he was deeply affected by this. He read from his Bible and found himself deeply affected by the words, and at peace with God. Shortly his strength began to return. He wrote of this experience in his journal and counted it as a renewal of his faith; when his brother John had a similar experience on the 24th, the two men met and sang a hymn Wesley had written in praise of his renewal.
One year from the experience, Wesley was taken with the urge to write another hymn, this one in commemoration of his renewal of faith. This hymn took the form of an 18-stanza poem, beginning with the opening lines 'Glory to God, and praise, and love,/Be ever, ever given and was published in 1740 and entitled 'For the anniversary day of one's conversion'. The seventh verse, which begins, 'O For A Thousand Tongues To Sing', and which now is invariably the first verse of a shorter hymn recalls the words of Peter Bohler who said, 'Had I a thousand tongues I would praise Him with them all.' The hymn was placed first in John Wesley's A Collection of Hymns for the People Called Methodists published in 1780. It appeared first in every (Wesleyan) Methodist hymnal from that time until the publication of Hymns and Psalms in 1983

Click here to hear an organ arrangement:
www.youtube.com/watch?v=-mHDcIGXBtw

Click here for a contemporary arrangement:
www.youtube.com/watch?v=i1LwDBVpg_E

Click here for an acoustic guitar arrangement:
www.youtube.com/watch?v=4U8AuFL1qN0&feature=related

Cederick Johnson will share this song as the offertory
“The Old Rugged Cross”

The “Old Rugged Cross” is a popular Christian song written in 1912 by evangelist and song-leader George Bennard (1873-1958).
George Bennard, was a native of Youngstown, Ohio but was reared in Iowa. After his conversion in a Salvation Army meeting, he and his wife became brigade leaders before leaving the organization for the Methodist Church. As a Methodist evangelist, Bennard wrote the first verse of the gospel song, "The Old Rugged Cross" in Albion, Michigan, in the fall of 1912. Charles H. Gabriel, a well-known gospel-song composer helped Bennard with the harmonies. Published in 1915, the song was popularized during Billy Sunday evangelistic campaigns by two members of his campaign staff, Homer Rodeheaver (who bought rights to the song for $500) and Virginia Asher, who were perhaps also the first to record it in 1921. The Old Rugged Cross uses a sentimental popular song form with a verse/chorus pattern in 3/4 time, and it speaks of the writer's Christian experience rather than his adoration of God. Bennard retired to Reed City, Michigan, and the town maintains a museum dedicated to his life and ministry.
"The Old Rugged Cross" remains enormously popular and has been performed by some of the twentieth century's most important recording artists, including: Al Green, Anne Murray, Brad Paisley, Chet Atkins, Elvis Presley, Floyd Cramer, George Jones, Jim Reeves, Johnny Cash and June Carter, Kevin Max, Mahalia Jackson, Merle Haggard, Patsy Cline, Loretta Lynn, Ray Price, Ricky Van Shelton, Tennessee Ernie Ford, Rahsaan Roland Kirk, The Oak Ridge Boys, The Statler Brothers, Vince Gill, Willie Nelson.

Click here for an organ arrangement of the song:
www.youtube.com/watch?v=2q_G02X2Dj8&feature=related

Click here to listen to recording of this great hymn: www.simplyangel.com/theoldruggedcross.htm

Behind the Praise - Sunday February 22, 2009

"Friend of God"

Israel Houghton serves as one of the worship pastors for Lakewood Church in Houston. Here is a portion of his amazing story.
I really should have been one of those abortion statistics you read about. My mother became pregnant with me when she was 17. My mother's white and my biological father's black. Her family wasn't supportive of their relationship and gave her the choice to have a back-alley abortion or to be disowned. I'm here because of the decision she made-and because of her conversion shortly after that. So when I lead worship I'm crazy. I realize how fortunate I am to be called by God and to be protected, to be covered by him. I'm incredibly grateful.

I grew up in a fairly legalistic home. My parents loved God, and they did the very best they could with what they knew. They came from a very discipleship-oriented, fairly heavy-handed way of doing kingdom work. So I would have more easily said, "I am afraid of God" than "I am a friend of God." The view I had of God was dysfunctional, almost like he was looking for opportunities to punish me. That was more what I caught than what was taught. But the more I said "I am a friend of God," the more that old, condemning view was purged from my life. I gained a healing sense of God saying, "I want to know you."

Here is a devotional thought on the song
www.gospelflava.com/articles/songinword-friendofgod.html

Here is an interview with Israel that gives great insight into Israel’s walk with the Lord. www.cbn.com/700club/guests/interviews/israel_houghton_041205.aspx

Click here to listen to the song
www.youtube.com/watch?v=ty0SO7IvtXM

"Move, Mountain, Move"

This song of faith was written by Ray Jones worship pastor at Community Bible Church, San Antonio, Texas. Click here to learn more about the churches ministry:
http://www.communitybible.com/

"That's Why We Praise Him"

Check out Tommy Walker here
www.tommywalker.net/

Click here to listen to the song:
http://wordmusicnow.com/Song.asp?SongID=100

Click here for another arrangement:
www.youtube.com/watch?v=_3OopRS5hYg

"God of My Days"

Zach Neese's perspective:

"God of My Days" took me two years to write, because I was concerned about the hearts of the people that it would minister to. The lyrics had to be true in the mouths of both mourners and people who were rejoicing. It had to ring true as a sacrifice of praise and as a statement of faith. I began writing out of a holy discontent. I was frustrated by the Church's tendency to paint a happy face over the reality of people's suffering. Sometimes Christians come across as uncompassionate because we deny or fail to address people's pain. Our churches are full of people who are hurting, and many times we make them feel guilty about it.God isn't afraid to talk about pain. He never denies it. He guarantees it (John 16:33). He also guarantees that He will never leave us to face it alone (Hebrews 13:5) and that He is bigger than whatever we're facing.He is the God of every season and situation of our lives.Recently, my wife Jen and I had a baby girl, and God was right there rejoicing with us. A few years ago, we lost a baby boy. God was there for that too, wrapping us in His powerful, comforting arms and helping us mourn. In both situations, He was God. In both, He was worthy of praise, and from both, He will bring something miraculous.Maybe I don't understand. But I believe. He is God of my days, King of my nights, Lord of my laughter and Sovereign in sorrow. He is the Prince of my praise and the Love of my life. He never leaves me, and He is always faithful. He is the God of my days.

Click here to visit Zach's myspace - you can play the song from here.
http://www.myspace.com/zachneese

Click here to worship along with the gateway worship team:
www.youtube.com/watch?v=qHGaXj-gdEc

Click here for another arrangement:
www.youtube.com/watch?v=YBAExdZPad8

"Christ Beside me"

Christ beside me, christ before me, christ king of my heart
Christ behind me, christ within me, never to depart
Christ on my right hand, christ on my left hand
In my sleeping, in my waking , christ light of my life
In my rising, in my going a shield in time of strife

Timothy Dudley-Smith

Click here to learn more about Timothy Dudley-Smith
www.timothydudley-smith.com/

"Revelation Song"

Ever had one of those days when, smack in the middle of all the everyday “stuff” that screams for attention, all you wanted was a sure sign that God was present and at work? Worship songwriter Jennie Riddle has.
I gave my life to Jesus back in 1988. There was a new song out at the time entitled, "I Hear Angels" by Gerrit Gustafson. The lyrics read:
I hear angels singing praises, I see men from every nation,bowing down before the thronelike the sound of many waterslike the rushing wind around usmultitudes join the songand a symphony of praise arisestears are wiped away from eyesas men from every tongue and tribe all sing…Holy, holy, God almighty, who was, and is, and is to come
I remember looking up and around, asking, "Where God? I want to see and hear that too!" Those prophetic words from Mr. Gustafson took residence within me, became the lullaby sung over each of my children, and fueled an earnest, decade long prayer to see multitudes gathered around the throne.
Back in 1999, I had just changed my 20,446th diaper (Yes. I count. Don't you? ), when I began singing the aforementioned lullaby over my fourth son, Andrew, as we cuddled in our blue chair. My keyboard was broken down, and I simply didn't have the energy to set it up. It had been a really tough "mommy" day. The guitar (which I didn't really play) was accessible, but the spaghetti dinner I’d yet to cook was screaming my name. But so was the Holy Spirit! I, again, began telling Him how much I wanted to SEE and HEAR all creation worshipping Him. The songs being sung by the Bride at that time were focusing on need. My heart longed to focus on something far greater than my need, knowing that all needs would be satisfied with just one glimpse of Him.
Therefore, I asked the Holy Spirit to help me write a song that painted Him—a song that the angels and creation were already singing, so we could join in with One Voice, as One Bride, to One King. My heart recalled Ezekiel 1:26-28 and Revelation 4:
"And then, as they stood with folded wings, there was a voice from above the dome over their heads. Above the dome there was something that looked like a throne, sky-blue like a sapphire, with a humanlike figure towering above the throne. From what I could see, from the waist up he looked like burnished bronze and from the waist down like a blazing fire. Brightness everywhere! The way a rainbow springs out of the sky on a rainy day-that's what it was like. It turned out to be the Glory of God!” (Message)
"A throne set in heaven, and One sat on the throne. And He who sat there was like a jasper and a sardius stone in appearance; and there was a rainbow around the throne, in appearance like an emerald. Around the throne were twenty-four thrones, and on the thrones I saw twenty-four elders sitting, clothed in white robes; and they had crowns[] of gold on their heads. And from the throne proceeded lightening, thundering, and voices. Before the throne there was a sea of glass, like crystal. And in the midst of the throne, and around the throne, were four living creatures. And they do not rest day or night, saying: ' Holy, holy, holy, Lord God Almighty, Who was and is and is to come!'"
I put the baby down to play with his toys, picked up the guitar, and began to play four chords I had "discovered" the day before. Immersed in those scriptures, the Lord helped me paint what I was seeing through those passages: "Clothed in rainbows of living color, flashes of lightening, rolls of thunder..." The melody stuck. It had the sound of heaven in it. The song wouldn't leave me, and I sang it for weeks. I can still hear the Lord whispering to me that He would carry this song across the world. I remember thinking how cool it was going to be to have a couple of my missionary friends carry it to the natives in the bush to be sung around campfires. I had no idea.
"Revelation Song" made its very first public outing when I introduced it to my local church. That Sunday, the Lord moved in such a way that I felt it was called for, so we offered it unrehearsed and "on the fly." The song resonated with the congregation, and Jesus danced, I'm just sure of it. It quickly became a loved song. Next, it was introduced to my students at the high school. God met us every time we used it from that point on.
The first demo of the song was done for me by Walker Beach a couple of months after I wrote it. Klaus Kuehn helped me do a second demo in 2002. They both remembered it when it came time to select songs for the annual live recording at Christ for the Nations where Klaus was leading worship and Walker was directing the School of Worship. They introduced it to the student body during chapel, and it was decided that it would be sung by Kari Jobe, to release on the Glorious album in 2004. The anointing on those gifted worshippers, the excellent production, the tremendous musicianship, and the glory of God was fully captured in that recording. God met us powerfully that night!
Even though I had been writing songs for years, I had not promoted my music and didn't know how to begin had I wanted to do so. The Holy Spirit kept nudging me and saying, "Give it to the Bride." Finally, determining to send it to the two places that kept coming to mind, I mustered my courage, obeyed, and sent two recording. That act of obedience was my only attempt to "do something" with the song. From there it spread. Encouragement and support materialized from all corners. Lindell Cooley with Music Missions International, the International Worship Institute, Song Discovery, and LeadWorship.com were instrumental in the early grass roots spread of “Revelation Song.”
The most widely circulated version, however, that released the song out to the church at large, was recorded by Gateway Church in 2006 under the direction of Thomas Miller and Walker Beach on the popular Living for You album. The song was signed to Gateway to be administered by Integrity. I was so impressed with the heart of Michael Coleman and all the folks at Integrity. That same year Don Moen placed it on his personal album entitled Hiding Place. That was especially dear to my husband and I as we sang one of his songs in our wedding. In summary, there have now been several different renditions springing up by various artists, colleges and churches, the most recent of which is another brand new version from Gateway Worship again featuring the unmistakable voice of Kari Jobe on their just released Wake Up The World album. The song features a new musical bridge that is absolutely stunning. They have brought the song to a whole new level.
"Revelation Song" has taken on a life of its own, and it has been an intense joy to watch the Father "grow it up” and to hear the Voice of the Bride sing to Jesus. Her voice is so lovely.
I often get asked the song story, and even more often, the question of "how" it got "out there" comes up. My only answer is that God chooses what He chooses. No amount of maneuvering, strategizing, posturing or pitching would have gotten my music "out there." Whatever that means.
I remember telling Jesus with complete sincerity that I could wait until I got to heaven to hear my song sung. Although, I also suggested that it would be a terrific song for the angels and great cloud of witnesses to sing when He comes back for us. In the event that He had not already chosen one for the occasion, I didn't think it would hurt to ask!
Jennie Riddle wrote this powerful worship song: She is housewife from McKinney, Texas who simply heard what some would call a song from the "other side". She said it was between cooking spaghetti and changing one of the kids’ diapers.

You can listen to "Revelation song" on Jennie's myspace, the recording is by Kari Jobe.
www.myspace.com/jennieriddlemusic

This song is sweeping the country and literally being sung around the world.Click here to listen to the song.
www.youtube.com/watch?v=FObjd5wrgZ8

If you’ve been blessed by the song, send Jennie an encouraging note here –
jennie@jennieriddle.com

Behind the Praise - Sunday February 15, 2009

"Today is the Day"

This song was written by Lincoln Brewster with Paul Baloche. Lincoln believes there is power when we sing God's word back to Him. Psalm 118:24 "This is the day the Lord has made, let us rejoice and be glad in it." We are to live each day as if it's our last.

Click here to listen to Lincoln share how he wrote the song:
www.youtube.com/watch?v=5Pved9U-P1g

Click here to listen online:
www.last.fm/music/Lincoln+Brewster/_/Today+Is+The+Day

Click here to worship along with Lincoln Brewster:
www.youtube.com/watch?v=ngHP6ppfRw4

"Praise Him"

Donnie Harper is revered as a gospel pioneer namely for one of his principal ground breaking efforts when he performed with the Rock Group Foreigner on their top 10 hit "I Want To Know What Love Is" in 1984. This was the first time that a Gospel Choir teamed up with a Rock Group in the secular market. This collaboration sparked a trend which continues to this very day where gospel and secular groups partner for the purpose of relaying a united message. Donnie Harper is also credited as the first Gospel group to ever appear on “Saturday Night Live” (NBC Telecast) when his group “Voices of Tomorrow” performed in the late 1970’s.

Praise Him;Jesus, blessed Savior,He's worthy to be praised.
From the rising of the sun,Until the going down of the same;He's worthy, Jesus is worthy,
He's worthy to be praised, Glory
In all things give Him glory;Jesus, blessed Savior,
He's worthy to be praised.
God is our rock,hope of salvation,a strong deliverer, in Him will I always trust.

"There is Power in the Blood"

This hymn was written by Lewis E. Jones.

Born: Feb­ru­a­ry 8, 1865, Yates City, Illinois.Died: Sep­tem­ber 1, 1936, Santa Barbara, Cal­i­for­nia.Buried: Altoona Walnut Grove Cem­e­te­ry, Etowah Coun­ty, Alabama.
Pseudonyms:Lewis Edgar, Edgar Lewis, & Mary Slater
A class­mate of evan­gel­ist Bil­ly Sun­day, Jones at­tend­ed the Moo­dy Bi­ble In­sti­tute. After grad­u­a­tion, he worked for the Young Men’s Christ­ian As­so­ci­a­tion in Da­ven­port, Io­wa; Fort Worth, Tex­as (1915); and San­ta Bar­ba­ra, Cal­i­forn­ia (1925). Hymn writ­ing was his avo­ca­tion. Lew­is E. Jones wrote this song in 1899. Jones wrote this song at a camp meet­ing at Mount­ain Lake Park, Mar­y­land.

Click here for a gospel arrangement:
www.youtube.com/watch?v=im1Mgg7Dz-g

Click here to worship along Sandra Crouch:
www.youtube.com/watch?v=uxKYMKFEtt0

Click here to worship along with Mahalia Jackson:
www.youtube.com/watch?v=QaNUzh1dVPw
www.youtube.com/watch?v=uxKYMKFEtt0

"Before the Throne of God Above"

This song was written by Charitie Lees Smith Bancroft in 1863, but was recently published by Vikki Cook who wrote an alternate melody for it.

You can hear the old version by clicking here.
www.cyberhymnal.org/htm/b/e/beforetg.htm
You’ll recognize the tune as “Sweet hour of Prayer”

Click here to read through the words:
www.inchristalone.org/BeforeTheThrone.html
What a great line in the second verse:
“For God the just is satisfied to look on Him and pardon me”.

Click here to worship along:
www.youtube.com/watch?v=c_GB_N_79-Q&mode=related&search=

* Click here to hear the Carolina Crown drum and bugle corps' rendition:
www.youtube.com/watch?v=fuDSHr7QoIg&mode=related&search=

Before the throne of God aboveI have a strong and perfect plea.
A great High Priest whose name is Love Who ever lives and pleads for me.
My name is graven on His hands,My name is written on His heart.
I know that while in Heaven He standsNo tongue can bid me thence depart.
When Satan tempts me to despairAnd tells me of the guilt within,
Upward I look and see Him thereWho made an end of all my sin.
Because the sinless Saviour diedMy sinful soul is counted free.
For God the just is satisfiedTo look on Him and pardon me.
Behold Him there the risen Lamb,My perfect spotless righteousness,
The great unchangeable I AM, The King of glory and of grace,
One in Himself I cannot die.My soul is purchased by His blood,
My life is hid with Christ on high,With Christ my Saviour and my God!

Click here to listen to the song:
www.youtube.com/watch?v=f0S5Z0H4SpI

“Holy, Holy, Holy”

Holy, Holy, Holy is a hymn written by Reginald Heber (1783-1826). Its lyrics speak specifically on the Trinity as stated in Christian theology. It was written specifically for the use on Trinity Sunday, which occurs eight weeks after Easter The tune used for this hymn, "Nicaea", was named after the Nicaean Council in 325. It was composed by John Bacchus Dykes in 1861 specifically for the lyrics. The composer wrote many tunes to hymns (over 300) and many are still in use today.
Click here to listen to the story behind the song:
http://hymns.lifespringonline.com/?p=13

Click here to listen to the song:
www.joyfulministry.com/holyholyt.htm

Click here to read more about the song:
http://en.wikipedia.org/wiki/Holy,_Holy,_Holy

Click here to hear a vocal arrangement:
www.youtube.com/watch?v=wTuPeErzEWk&feature=related

Click here to listen to an organ arrangement:
www.youtube.com/watch?v=una7Q2z0WME

Click here to listen to another organ
www.youtube.com/watch?v=LWCXI-b0O54

Click here for an acoustic guitar arrangement:
www.youtube.com/watch?v=XFrhK1n_K9M

"Stained Glass Masquerade"

Click here to learn more about Casting Crowns:
www.castingcrowns.com/

Click here to listen to the song: www.youtube.com/watch?v=grRnCSAzwuQ

Click here for another arrangement: www.youtube.com/watch?v=aRUJrjUGGfg

Behind the Praise - Sunday February 8, 2009

"Your Name is still Higher"

This song was written by Ray Jones worship pastor at Community Bible Church, San Antonio.

Click here to preview the song:
www.prismmusic.com/collection_detail.php?cid=200002&PHPSESSID=55312dee12540ad1d3bf632c20839822

"I'm Counting on God"

This song of declaration was written by Jared Anderson of the New Life worship ministry in Colorado Springs, Co. Jared wrote the following on the song:

This song has come to the forefront in the life of our church because of the recent trials we've had to face. The testing of our faith has made us more resolved to endure and overcome the sufferings for the all-surpassing glory of God. It is not only our obstacles that will be defeated, but the Kingdom of our God will overtake the kingdom of this world. This song helps us put our battles into proper perspective. The evidence that this is taking place is seen in the transformation of our lives and community. We are nothing like we used to be. - Jared Anderson

Click here to worship along with the New Life Worship Band:
www.youtube.com/watch?v=Nz6bxExXwwQ

"Stranger"
Sung by the Crossroads youth choir
This song was written by Donald Lawrence. Donald studied at Cincinnati Conservatory, where he earned a Bachelor of Fine Arts Degree in music. To his credit, Donald's musicality has seen many incarnations, as vocal coach to the R&B group En Vogue, musical director for Stephanie Mills, songwriter for The Clark Sisters, and producer for a host of artists including Peabo Bryson and Kirk Franklin.

Click here to learn more about Donald:
http://en.wikipedia.org/wiki/Donald_Lawrence

Click here to worship along:
www.youtube.com/watch?v=cnAYF4rmwgs&feature=related

There’s a stranger in town, He’s giving sight to the blind,
He is the great emancipator, He turned water to wine.
He even healed the sick who were bound by disease,
What manner of man is this whose voice can control the sea?
Some say He is the Great I Am, the prophets spoke of.
Some even say He’s Emmanual, God with us;
this stranger, stranger, stranger from Galillie,
hey, the man from Galillie.

"He Keeps me singing"

A Methodist preacher by the name of Luther Bridges, was born in 1884, he married Sarah Veatch and three lovely sons were born of their union. Pastor Bridges accepted an invitation to minister at a conference in Kentucky in the year 1910, so he left his family in the care of his father-in-law and made the trip to Kentucky. There, two wonderful weeks of ministry resulted. The last service closed with great joy and he was excited to be called to the telephone. He couldn't wait to tell his wife about all the blessings. But it wasn't her voice on that long distance line. He listened in silence to the news that a fire had burned down the house of his father-in-law and his wife and all three of his sons had died in the blaze. That distraught father leaned heavily on His Savior and expressed his faith in God during a tearful moment by penning these words:There's within my heart a melody Jesus whispers sweet and low,Fear not, I am with thee, peace, be still, In all of lifes ebb and flow.

Click here to listen to a quartet arrangement:
www.youtube.com/watch?v=eNQ4RbfF4jM

Click here for a recording of the song:
http://my.homewithgod.com/heavenlymidis/hekeepsmesinging.mid

Click here for a ragtime piano version:
www.youtube.com/watch?v=KiJrzRg17l4

"Give us Clean hands"
Charlie Hall wrote this song as a prayer for his generation in 1994. He said he wanted to be a part of the generation that was sold out to seeking God with their whole hearts. When he wrote the song he sensed his generation huddling and praying this prayer, "Oh God let us be the generation that seeks your face Oh, God of Jacob."

Charlie was struck by though that the generation that seeks after him will find him, they will ascend the hill of the Lord. He started praying this scripture and then he says the song just came forth.
The song is based on Psalm 24:3-63 Who may ascend the hill of the LORD ?Who may stand in his holy place?4 He who has clean hands and a pure heart, who does not lift up his soul to an idol or swear by what is false.5 He will receive blessing from the LORD and vindication from God his Savior.6 Such is the generation of those who seek him, who seek your face, O God of Jacob.

Click here to listen to how Charlie Hall wrote this song:
www.youtube.com/watch?v=8hkQS8A8FiY

Click here to listen to the song:
www.youtube.com/watch?v=pl5zSB3A-Z8

Click here to visit Charlie’s myspace:
http://profile.myspace.com/index.cfm?fuseaction=user.viewProfile&friendID=60771694

Click here to learn more about Charlie Hall:
www.charliehall.com/

Click here to worship along with Charlie Hall
www.youtube.com/watch?v=onGbkeWkA64

“Breathe”

A friend's suicide had left her reeling, but out of Marie Barnett's desperate need for God came a worship classic sung around the world.
Marie Barnett didn't consider herself a worship songwriter, although she had led worship with her husband John for years and wrote her own compositions during her personal worship time. John was the writer, penning what Barnett terms "tons" of worship music through the years (including "Holy and Anointed One"). "He's the worship writer," she explains, adding "I never sat down and wrote thinking, This could be sung in a congregation. It was more between me and the Lord in my bedroom with the door locked."
But that all changed during a Sunday evening service at the Mission Viejo Vineyard in Southern California. The Barnetts were leading worship as they had done hundreds of times before, and words to what would become the worship song "Breathe" just spontaneously came out.
" We had been singing 'Isn't He' by John Wimber," Barnett recalls, "and my husband continued to play. I was so enthralled with Jesus at that moment, thinking I could never live, I could never even take a breath if I didn't have a word from Him every day. And so I heard those words-'this is the air I breathe, this is my daily bread'-and I started singing them."
Before she knew it, the congregation had joined her. Still, it wasn't as if Barnett left that night convinced she has a worship hit on her hands. There had been other spontaneous songs, but she soon realized "Breathe" was different. "People would come up to me at the grocery store and say, 'You know what we were singing on Sunday night? I've been singing it all week.'"
So they began to sing the song regularly in church and it continued to elicit a strong response, bringing many to tears. Barnett says even now she can hardly get through it. "I think the word 'desperate' digs deep into me," she says by way of explanation. "The longer I'm a Christian, the more desperate I am for God."
Not to mention Barnett was feeling particularly desperate around the time the words for "Breathe" came to her. A dance teacher by day, Barnett's boss of 10 years had recently taken his own life, leaving behind a note asking her to take over the dance studio. "He was very depressed and had just gone through a divorce and was on all kinds of weird medications and into New Age thinking," she recalls of the tragic incident. "He even came to church with me once right before he took his life and I was like, Well, what good did that do? In the end, the event left Barnett with questions for which there were no answers. And that desperation came out in her songwriting."
Shortly after being written, "Breathe" wound up on Vineyard's Touching the Father's Heart #25 and seemed to be on its way to finding a broader audience. But if there's one thing Barnett learned from watching her husband's songwriting career, it's that the timing isn't up to us.
"We recorded the song for Vineyard and then nothing happened," Barnett says. "Not that I thought anything about it because to me it was just a neat thing the Lord gave to our church." Five years later, worship leader Brian Doerksen was putting together Vineyard's Hungry and contacted Barnett about including "Breathe." Then came Michael W. Smith's version on his 2001 release, Worship.
Barnett was driving in her car when she first heard the track playing on the radio. "I just started bawling. I love that version because at the end when he's saying 'Cry out to Him' it's like 'Oh! People are worshipping Jesus! Yea!'"
Since writing "Breathe" Barnett regularly contributes songs to the worship time at Vineyard Community Church of Laguna Niguel, the California church plant where she and her husband lead worship today. And she continues to run the dance studio as her late boss wished. With more than 600 students and 20 classes to teach each week, Barnett says the business venture provides with her plenty of material for her songwriting. And to round out her schedule, she also teaches at worship conferences, going "wherever people invite me."

Click here to worship along with Michael W. Smith:
www.youtube.com/watch?v=Oad8ov10AjY

Click here for a moving video:
www.youtube.com/watch?v=hwLgyMzzh0M

“All Hail the Power of Jesus Name”

Some years ago, missionary E. P. Scott went to India. He set out to visit a remote mountain tribe which had never heard the name of Christ. As he neared their land, he was suddenly surrounded by a savage band of warriors, all pointing their spears straight at his heart. Expecting a quick death, the missionary pulled out his violin and began playing and singing in their native language the hymn "All hail the power of Jesus' name." He reached the stanza that reads:
Let every tribe and every tongueOn this terrestrial ball To him all majesty ascribe And crown him Lord of all...
The natives lowered their weapons and some were in tears. E. P. Scott spent the rest of his life ministering to these primitive people.
The hymn which so effectively moved this Indian tribe is often referred to as the "National Anthem of Christendom" and has been translated into almost every language where there are Christians. The author of the hymn, Edward Perronet was the descendent of a French Huguenot family which fled first to Switzerland and then to England to escape religious persecution. Perronet was a pastor who worked closely with John and Charles Wesley for many years in England's eighteenth- century revival.
At that time, Methodists were savagely persecuted. According to John Wesley's diary, Edward did not escape his share of abuse either. "Edward Perronet was thrown down and rolled in mud and mire" at Bolton, he wrote.
Edward was uneasy about preaching in front of John Wesley. Wesley urged him to do so several times. Finally, Wesley forced the issue. He announced that Brother Perronet would speak the following week. A week later, witty Edward mounted the pulpit and declared he would deliver the greatest sermon ever preached. He then read Christ's "Sermon on the Mount" and sat down!

Click here to hear an acapella arrangement by Point of Grace:
www.youtube.com/watch?v=iKT0WZM5aI8

Click here to hear an organ arrangement of the song:
www.youtube.com/watch?v=d54CqTpLW9E

Click here to sing along with Avalon:
www.youtube.com/watch?v=ucF_C7rYe58