Behind the Praise - Sunday February 8, 2009

"Your Name is still Higher"

This song was written by Ray Jones worship pastor at Community Bible Church, San Antonio.

Click here to preview the song:
www.prismmusic.com/collection_detail.php?cid=200002&PHPSESSID=55312dee12540ad1d3bf632c20839822

"I'm Counting on God"

This song of declaration was written by Jared Anderson of the New Life worship ministry in Colorado Springs, Co. Jared wrote the following on the song:

This song has come to the forefront in the life of our church because of the recent trials we've had to face. The testing of our faith has made us more resolved to endure and overcome the sufferings for the all-surpassing glory of God. It is not only our obstacles that will be defeated, but the Kingdom of our God will overtake the kingdom of this world. This song helps us put our battles into proper perspective. The evidence that this is taking place is seen in the transformation of our lives and community. We are nothing like we used to be. - Jared Anderson

Click here to worship along with the New Life Worship Band:
www.youtube.com/watch?v=Nz6bxExXwwQ

"Stranger"
Sung by the Crossroads youth choir
This song was written by Donald Lawrence. Donald studied at Cincinnati Conservatory, where he earned a Bachelor of Fine Arts Degree in music. To his credit, Donald's musicality has seen many incarnations, as vocal coach to the R&B group En Vogue, musical director for Stephanie Mills, songwriter for The Clark Sisters, and producer for a host of artists including Peabo Bryson and Kirk Franklin.

Click here to learn more about Donald:
http://en.wikipedia.org/wiki/Donald_Lawrence

Click here to worship along:
www.youtube.com/watch?v=cnAYF4rmwgs&feature=related

There’s a stranger in town, He’s giving sight to the blind,
He is the great emancipator, He turned water to wine.
He even healed the sick who were bound by disease,
What manner of man is this whose voice can control the sea?
Some say He is the Great I Am, the prophets spoke of.
Some even say He’s Emmanual, God with us;
this stranger, stranger, stranger from Galillie,
hey, the man from Galillie.

"He Keeps me singing"

A Methodist preacher by the name of Luther Bridges, was born in 1884, he married Sarah Veatch and three lovely sons were born of their union. Pastor Bridges accepted an invitation to minister at a conference in Kentucky in the year 1910, so he left his family in the care of his father-in-law and made the trip to Kentucky. There, two wonderful weeks of ministry resulted. The last service closed with great joy and he was excited to be called to the telephone. He couldn't wait to tell his wife about all the blessings. But it wasn't her voice on that long distance line. He listened in silence to the news that a fire had burned down the house of his father-in-law and his wife and all three of his sons had died in the blaze. That distraught father leaned heavily on His Savior and expressed his faith in God during a tearful moment by penning these words:There's within my heart a melody Jesus whispers sweet and low,Fear not, I am with thee, peace, be still, In all of lifes ebb and flow.

Click here to listen to a quartet arrangement:
www.youtube.com/watch?v=eNQ4RbfF4jM

Click here for a recording of the song:
http://my.homewithgod.com/heavenlymidis/hekeepsmesinging.mid

Click here for a ragtime piano version:
www.youtube.com/watch?v=KiJrzRg17l4

"Give us Clean hands"
Charlie Hall wrote this song as a prayer for his generation in 1994. He said he wanted to be a part of the generation that was sold out to seeking God with their whole hearts. When he wrote the song he sensed his generation huddling and praying this prayer, "Oh God let us be the generation that seeks your face Oh, God of Jacob."

Charlie was struck by though that the generation that seeks after him will find him, they will ascend the hill of the Lord. He started praying this scripture and then he says the song just came forth.
The song is based on Psalm 24:3-63 Who may ascend the hill of the LORD ?Who may stand in his holy place?4 He who has clean hands and a pure heart, who does not lift up his soul to an idol or swear by what is false.5 He will receive blessing from the LORD and vindication from God his Savior.6 Such is the generation of those who seek him, who seek your face, O God of Jacob.

Click here to listen to how Charlie Hall wrote this song:
www.youtube.com/watch?v=8hkQS8A8FiY

Click here to listen to the song:
www.youtube.com/watch?v=pl5zSB3A-Z8

Click here to visit Charlie’s myspace:
http://profile.myspace.com/index.cfm?fuseaction=user.viewProfile&friendID=60771694

Click here to learn more about Charlie Hall:
www.charliehall.com/

Click here to worship along with Charlie Hall
www.youtube.com/watch?v=onGbkeWkA64

“Breathe”

A friend's suicide had left her reeling, but out of Marie Barnett's desperate need for God came a worship classic sung around the world.
Marie Barnett didn't consider herself a worship songwriter, although she had led worship with her husband John for years and wrote her own compositions during her personal worship time. John was the writer, penning what Barnett terms "tons" of worship music through the years (including "Holy and Anointed One"). "He's the worship writer," she explains, adding "I never sat down and wrote thinking, This could be sung in a congregation. It was more between me and the Lord in my bedroom with the door locked."
But that all changed during a Sunday evening service at the Mission Viejo Vineyard in Southern California. The Barnetts were leading worship as they had done hundreds of times before, and words to what would become the worship song "Breathe" just spontaneously came out.
" We had been singing 'Isn't He' by John Wimber," Barnett recalls, "and my husband continued to play. I was so enthralled with Jesus at that moment, thinking I could never live, I could never even take a breath if I didn't have a word from Him every day. And so I heard those words-'this is the air I breathe, this is my daily bread'-and I started singing them."
Before she knew it, the congregation had joined her. Still, it wasn't as if Barnett left that night convinced she has a worship hit on her hands. There had been other spontaneous songs, but she soon realized "Breathe" was different. "People would come up to me at the grocery store and say, 'You know what we were singing on Sunday night? I've been singing it all week.'"
So they began to sing the song regularly in church and it continued to elicit a strong response, bringing many to tears. Barnett says even now she can hardly get through it. "I think the word 'desperate' digs deep into me," she says by way of explanation. "The longer I'm a Christian, the more desperate I am for God."
Not to mention Barnett was feeling particularly desperate around the time the words for "Breathe" came to her. A dance teacher by day, Barnett's boss of 10 years had recently taken his own life, leaving behind a note asking her to take over the dance studio. "He was very depressed and had just gone through a divorce and was on all kinds of weird medications and into New Age thinking," she recalls of the tragic incident. "He even came to church with me once right before he took his life and I was like, Well, what good did that do? In the end, the event left Barnett with questions for which there were no answers. And that desperation came out in her songwriting."
Shortly after being written, "Breathe" wound up on Vineyard's Touching the Father's Heart #25 and seemed to be on its way to finding a broader audience. But if there's one thing Barnett learned from watching her husband's songwriting career, it's that the timing isn't up to us.
"We recorded the song for Vineyard and then nothing happened," Barnett says. "Not that I thought anything about it because to me it was just a neat thing the Lord gave to our church." Five years later, worship leader Brian Doerksen was putting together Vineyard's Hungry and contacted Barnett about including "Breathe." Then came Michael W. Smith's version on his 2001 release, Worship.
Barnett was driving in her car when she first heard the track playing on the radio. "I just started bawling. I love that version because at the end when he's saying 'Cry out to Him' it's like 'Oh! People are worshipping Jesus! Yea!'"
Since writing "Breathe" Barnett regularly contributes songs to the worship time at Vineyard Community Church of Laguna Niguel, the California church plant where she and her husband lead worship today. And she continues to run the dance studio as her late boss wished. With more than 600 students and 20 classes to teach each week, Barnett says the business venture provides with her plenty of material for her songwriting. And to round out her schedule, she also teaches at worship conferences, going "wherever people invite me."

Click here to worship along with Michael W. Smith:
www.youtube.com/watch?v=Oad8ov10AjY

Click here for a moving video:
www.youtube.com/watch?v=hwLgyMzzh0M

“All Hail the Power of Jesus Name”

Some years ago, missionary E. P. Scott went to India. He set out to visit a remote mountain tribe which had never heard the name of Christ. As he neared their land, he was suddenly surrounded by a savage band of warriors, all pointing their spears straight at his heart. Expecting a quick death, the missionary pulled out his violin and began playing and singing in their native language the hymn "All hail the power of Jesus' name." He reached the stanza that reads:
Let every tribe and every tongueOn this terrestrial ball To him all majesty ascribe And crown him Lord of all...
The natives lowered their weapons and some were in tears. E. P. Scott spent the rest of his life ministering to these primitive people.
The hymn which so effectively moved this Indian tribe is often referred to as the "National Anthem of Christendom" and has been translated into almost every language where there are Christians. The author of the hymn, Edward Perronet was the descendent of a French Huguenot family which fled first to Switzerland and then to England to escape religious persecution. Perronet was a pastor who worked closely with John and Charles Wesley for many years in England's eighteenth- century revival.
At that time, Methodists were savagely persecuted. According to John Wesley's diary, Edward did not escape his share of abuse either. "Edward Perronet was thrown down and rolled in mud and mire" at Bolton, he wrote.
Edward was uneasy about preaching in front of John Wesley. Wesley urged him to do so several times. Finally, Wesley forced the issue. He announced that Brother Perronet would speak the following week. A week later, witty Edward mounted the pulpit and declared he would deliver the greatest sermon ever preached. He then read Christ's "Sermon on the Mount" and sat down!

Click here to hear an acapella arrangement by Point of Grace:
www.youtube.com/watch?v=iKT0WZM5aI8

Click here to hear an organ arrangement of the song:
www.youtube.com/watch?v=d54CqTpLW9E

Click here to sing along with Avalon:
www.youtube.com/watch?v=ucF_C7rYe58