Behind the Praise - Sunday February 6, 2011

"I Bless Your Name"
www.youtube.com/watch?v=E8UiNxJk_ec

"Your Grace is Enough"

Matthew "Matt" Maher is a singer/songwriter/worship leader originally from Newfoundland, Canada, who later relocated to Mesa, Arizona. He has written and produced 3 independent albums, The End and The Beginning (2001), Welcome to Life (2003), and Overflow (2006). All three albums were produced by Maher, with Welcome to Life and Overflow both being co-produced by Maher and Nashville engineer Jeff Thomas.

Matt is most known for his song, "Your Grace Is Enough" which Chris Tomlin recorded on His 2004 Gold release, Arriving. The two met at a Youth Specialties conference held in Phoenix when Tomlin's band was asked to "back" Maher up. Tomlin instantly fell in love with the song. Since then, the song has become a popular worship anthem. Matt recorded a new version of the song, combining both his and Tomlin's versions, for the album "Empty and Beautiful". The song was released as a single on iTunes in March 2008, and reached #2 on Billboard's Adult Christian Contemporary Chart, where it remained in the top ten for over 8 weeks.

Click here to learn more about Matt Maher:
www.mattmahermusic.com/index.php

Click here to visit Matt’s myspace:
www.myspace.com/mattmahermusic

Click here to listen to how the song was written
www.youtube.com/watch?v=QIgGHA27nG4

Click here to worship along
www.youtube.com/watch?v=wtnE_e1LylY

"O For A Thousand Tongues to sing"

Click here to listen to the song:
www.youtube.com/watch?v=HPrnpUWZX_M

"Revelation Song"

Ever had one of those days when, smack in the middle of all the everyday “stuff” that screams for attention, all you wanted was a sure sign that God was present and at work? Worship songwriter Jennie Riddle has.
I gave my life to Jesus back in 1988. There was a new song out at the time entitled, "I Hear Angels" by Gerrit Gustafson. The lyrics read:

I hear angels singing praises,
I see men from every nation,
bowing down before the throne
like the sound of many waters
like the rushing wind around us
multitudes join the song
and a symphony of praise arises
tears are wiped away from eyes
as men from every tongue and tribe all sing…
Holy, holy, God almighty, who was, and is, and is to come
I remember looking up and around, asking, "Where God? I want to see and hear that too!" Those prophetic words from Mr. Gustafson took residence within me, became the lullaby sung over each of my children, and fueled an earnest, decade long prayer to see multitudes gathered around the throne.
Back in 1999, I had just changed my 20,446th diaper (Yes. I count. Don't you? ), when I began singing the aforementioned lullaby over my fourth son, Andrew, as we cuddled in our blue chair. My keyboard was broken down, and I simply didn't have the energy to set it up. It had been a really tough "mommy" day. The guitar (which I didn't really play) was accessible, but the spaghetti dinner I’d yet to cook was screaming my name. But so was the Holy Spirit! I, again, began telling Him how much I wanted to SEE and HEAR all creation worshipping Him. The songs being sung by the Bride at that time were focusing on need. My heart longed to focus on something far greater than my need, knowing that all needs would be satisfied with just one glimpse of Him.
Therefore, I asked the Holy Spirit to help me write a song that painted Him—a song that the angels and creation were already singing, so we could join in with One Voice, as One Bride, to One King. My heart recalled Ezekiel 1:26-28 and Revelation 4:
"And then, as they stood with folded wings, there was a voice from above the dome over their heads. Above the dome there was something that looked like a throne, sky-blue like a sapphire, with a humanlike figure towering above the throne. From what I could see, from the waist up he looked like burnished bronze and from the waist down like a blazing fire. Brightness everywhere! The way a rainbow springs out of the sky on a rainy day-that's what it was like. It turned out to be the Glory of God!” (Message)
"A throne set in heaven, and One sat on the throne. And He who sat there was like a jasper and a sardius stone in appearance; and there was a rainbow around the throne, in appearance like an emerald. Around the throne were twenty-four thrones, and on the thrones I saw twenty-four elders sitting, clothed in white robes; and they had crowns[] of gold on their heads. And from the throne proceeded lightening, thundering, and voices. Before the throne there was a sea of glass, like crystal. And in the midst of the throne, and around the throne, were four living creatures. And they do not rest day or night, saying: ' Holy, holy, holy, Lord God Almighty, Who was and is and is to come!'"
I put the baby down to play with his toys, picked up the guitar, and began to play four chords I had "discovered" the day before. Immersed in those scriptures, the Lord helped me paint what I was seeing through those passages: "Clothed in rainbows of living color, flashes of lightening, rolls of thunder..." The melody stuck. It had the sound of heaven in it. The song wouldn't leave me, and I sang it for weeks. I can still hear the Lord whispering to me that He would carry this song across the world. I remember thinking how cool it was going to be to have a couple of my missionary friends carry it to the natives in the bush to be sung around campfires. I had no idea.
"Revelation Song" made its very first public outing when I introduced it to my local church. That Sunday, the Lord moved in such a way that I felt it was called for, so we offered it unrehearsed and "on the fly." The song resonated with the congregation, and Jesus danced, I'm just sure of it. It quickly became a loved song. Next, it was introduced to my students at the high school. God met us every time we used it from that point on.
The first demo of the song was done for me by Walker Beach a couple of months after I wrote it. Klaus Kuehn helped me do a second demo in 2002. They both remembered it when it came time to select songs for the annual live recording at Christ for the Nations where Klaus was leading worship and Walker was directing the School of Worship. They introduced it to the student body during chapel, and it was decided that it would be sung by Kari Jobe, to release on the Glorious album in 2004. The anointing on those gifted worshippers, the excellent production, the tremendous musicianship, and the glory of God was fully captured in that recording. God met us powerfully that night!
Even though I had been writing songs for years, I had not promoted my music and didn't know how to begin had I wanted to do so. The Holy Spirit kept nudging me and saying, "Give it to the Bride." Finally, determining to send it to the two places that kept coming to mind, I mustered my courage, obeyed, and sent two recording. That act of obedience was my only attempt to "do something" with the song. From there it spread. Encouragement and support materialized from all corners. Lindell Cooley with Music Missions International, the International Worship Institute, Song Discovery, and LeadWorship.com were instrumental in the early grass roots spread of “Revelation Song.”
The most widely circulated version, however, that released the song out to the church at large, was recorded by Gateway Church in 2006 under the direction of Thomas Miller and Walker Beach on the popular Living for You album. The song was signed to Gateway to be administered by Integrity. I was so impressed with the heart of Michael Coleman and all the folks at Integrity. That same year Don Moen placed it on his personal album entitled Hiding Place. That was especially dear to my husband and I as we sang one of his songs in our wedding. In summary, there have now been several different renditions springing up by various artists, colleges and churches, the most recent of which is another brand new version from Gateway Worship again featuring the unmistakable voice of Kari Jobe on their just released Wake Up The World album. The song features a new musical bridge that is absolutely stunning. They have brought the song to a whole new level.
"Revelation Song" has taken on a life of its own, and it has been an intense joy to watch the Father "grow it up” and to hear the Voice of the Bride sing to Jesus. Her voice is so lovely.
I often get asked the song story, and even more often, the question of "how" it got "out there" comes up. My only answer is that God chooses what He chooses. No amount of maneuvering, strategizing, posturing or pitching would have gotten my music "out there." Whatever that means.
I remember telling Jesus with complete sincerity that I could wait until I got to heaven to hear my song sung. Although, I also suggested that it would be a terrific song for the angels and great cloud of witnesses to sing when He comes back for us. In the event that He had not already chosen one for the occasion, I didn't think it would hurt to ask!
Jennie Riddle wrote this powerful worship song: She is housewife from McKinney, Texas who simply heard what some would call a song from the "other side". She said it was between cooking spaghetti and changing one of the kids’ diapers.

You can listen to "Revelation song" on Jennie's myspace, the recording is by Kari Jobe.
www.myspace.com/jennieriddlemusic

This song is sweeping the country and literally being sung around the world.
Click here to listen to the song.
www.youtube.com/watch?v=FObjd5wrgZ8

“Here I Am to Worship”

If songs are like children to their writers, then 25 year-old Englishman Tim Hughes carried "Here I Am To Worship" to full term, letting the reverent tune take perfect shape over a nine-month period. Back in 1999 while still in college, he first sat down to craft a musical response to his reading of Philippians 2:5, which says, "Make your own attitude that of Christ Jesus." And from the start, he had the humility part mastered.
"I was playing around with my guitar when the verse just came out," he modestly recalls. "However, I couldn't get a chorus that I was happy with. The original one was embarrassingly bad!"
Thankfully, Tim recorded the verse into his Dictaphone, and months later during a quiet creative time, he patched it together with another strong melody idea and brought "Here I Am To Worship" to fruition.
"I'd been reading about the cross and thinking through Jesus' amazing sacrifice," Tim says of the lyrical theme. "Sometimes when God meets with us we don't quite know how to respond properly. It's often too much for us to take in. Hopefully in a small way the chorus captures that: 'Here I am to worship. Here I am to bow down. Here I am to say that you're my God. You're altogether lovely, worthy, wonderful.'"
Although the song had been completed, the writer was still not convinced of its potential. Leading worship at his Soul Survivor home church one day, Tim sang "Here I Am To Worship" for his fellow members and was duly advised by his pastor Mike Pilavachi to start using it more often. Since then, Hughes - who built his own chops leading Delirious and Matt Redman favorites - has seen the song take on a life of its own.
It must be a God thing.... People have seemed to really connect with it, and we've had some special times in worship using the song," he admits. "I remember one time at the end of a Worship Together conference in San Diego when we'd been performing the song. The band stopped, and then the congregation just kept singing the chorus for about 15 minutes."

Click here to listen to the story behind the song by Tim Hughes.
www.theheartofworship.org/stories/Story-196-HereIAmtoWorship-Hughes.mp3

Click here to worship along with the Hillsongs ministry:
www.youtube.com/watch?v=klxcJaOooPI

Click here to read more about the composer Tim Hughes
www.crosswalk.com/spirituallife/worship/1227531/

“I can only Imagine"

This song was written by Bart Millard of Mercy Me. Millard's lyrics grew out of a period of tremendous personal pain. In 1991, his father died after a long battle with cancer. When people told him that his dad would choose heaven over coming back, the 18-year-old began thinking about what his dad was experiencing in heaven. After that, he found himself repeating the phrase "I can only imagine." He began writing it on napkins, paper bags, and anything he could find. The phrase resonated in his heart and gave him the strength and hope he needed to move on.

Somehow, wondering about that awesome moment when he too would lay eyes on the Lord helped dull the pain of losing his father. This isn't a permanent separation, he told himself. One day we'll be enjoying God's presence together. Years later, in 1999, when MercyMe was writing songs for its freshman project, Millard stumbled across that simple phrase—"I can only imagine"—in an old notebook. About ten minutes later, the song was written.
"People say it's amazing that it was written in ten minutes, when really it had been on my heart for almost ten years," Millard says. In fact, not many days go by that he still doesn't ask himself those questions that form the chorus of his song:

Surrounded by your glory, what will my heart feel?
Will I dance for you Jesus or in awe of you be still?
Will I stand in your presence, or to my knees will I fall?
Will I sing hallelujah? Will I be able to speak at all?

"I have faith that Christ is real," Millard adds. "Therefore, I ask him questions."

Click here to worship along with Mercy Me:
www.youtube.com/watch?v=0xwzItqYmII