Tuesday, December 22, 2009

Behind the Praise - Sunday December 27, 2009

"Hark the Herald Angels Sing"

“Hark the herald angels sing” Christmas Carol was written by Charles Wesley, brother of John Wesley founder of the Methodist church, in 1739. A sombre man, he requested slow and solemn music for his lyrics and thus “Hark the herald angels sing” was sung to a different tune initially. Over a hundred years later Felix Mendelssohn (1809-1847) composed a cantata in 1840 to commemorate Johann Gutenberg's invention of the printing press. English musician William H. Cummings adapted Mendelssohn’s music to fit the lyrics of “Hark the herald angels sing” already written by Wesley.

Click here to listen to the song:
www.youtube.com/watch?v=LDPwNPAV6tAg:

Click here see the various arrangements available:
www.youtube.com/results?search_query=hark+the+herald+angels+sing&search_type=&aq=f


"I Heard the Bells on Christmas Day"
Henry Wadsworth Longfellow wrote "Christmas Bells" on Christmas Day 1863 in the midst of the American Civil War and the news of his son Charles Appleton Longfellow having suffered wounds as a soldier in the Battle of New Hope Church, VA during the Mine Run Campaign. He had suffered the great loss of his wife two years prior to an accident with fire. His despair in the following years was recorded in his journal.The poem has been set to several tunes. The first tune was set in the 1870s by an English organist, John Baptiste Calkin, to his composition "Waltham". Elvis Presley, the Mormon Tabernacle Choir, and Jimmie Rodgers have recorded this version. Less commonly, the poem has also been set to the 1845 composition "Mainzer" by Joseph Mainzer. Johnny Marks, known for his song "Rudolph the Red-Nosed Reindeer", set Longfellow’s poem to music in the 1950s. Marks' version has been recorded by Fred Waring and the Pennsylvanians, Ed Ames, Kate Smith, Frank Sinatra, Sarah McLachlan, Pedro the Lion, Harry Belafonte, Johnny Cash, The Carpenters, MercyMe, Bing Crosby, and Bette Midler. Marks' composition is now generally accepted as the de facto version and is generally what is used for modern recordings of the song, though Calkin's version is still heard as well. In 1990, John Gorka recorded his arrangement entitled "Christmas Bells", which uses stanzas 1, 2, 6, and 7 of the poem. In 2008, Mark Hall, lead vocalist of Casting Crowns, recorded his own arrangement, which was released on their Christmas album, Peace On Earth.
Click here to listen to the Casting Crowns version:


"Sing, Sing, Sing"
This song was written by Chris Tomlin, Jesse Reeves, Daniel Carson, Travis Nunn and Matt Gilder. Chris shared the following on how the song was written. "This song was written together as a band. Really it’s the only song that we’ve written together like that. Usually I have most of the song written before I bring it to the band, so this one is unique because it came out of us being in the room together. I remember the guys getting the feel of it and it beginning to come together musically. So I just found a corner of the room listening to what they were doing with my headphones and started singing out that first lyric idea of the chorus, “sing, sing, sing.” This song became a big part of our Passion regional events and World Tour. It is crazy to see how immediate this song is with the audience. It’s the most fun I’ve had with a song in a while. I love the energy and the connection this song brings with the audience."
Click here to worship along with Chris Tomlin:


"In the Cross of Christ I Glory"
There is a sto­ry (prob­ab­ly apo­cryph­al) about the in­spir­a­tion for these words. The tra­di­tion is that Bow­ring was sail­ing past the coast of Ma­cao, Chi­na. On the shore were the re­mains of an old, fire gut­ted church. Above the ru­ins, he saw the church’s cross still stand­ing. The ti­tle of this hymn was carved on Bow­ring’s tomb­stone.


"Completely Done"

The old is gone, the new is comeWhat You complete is completely doneWe're heirs with Christ, the victory wonWhat You complete is completely doneThis song was written by Jonathan & Ryan Baird. Jonathan is part of Sovereign Grace Church in Pasadena, California, where his dad, Lynn Baird, is a pastor. Jonathan leads the worship-team ministry, and is the primary worship leader at his church. Jonathan also sings and plays guitar for the band West Coast Revival (WCR) with his brothers Aaron and Ryan. Jonathan married his wife, Nicole, in October 2005. They live in Sierra Madre, California. Ryan is a member of Sovereign Grace Church in Pasadena, California, where he helps lead worship and leads the sound team. He sings and plays keyboard for the band West Coast Revival (WCR), which recently released its first self titled album. WCR plays for Sovereign Grace churches in the western U.S., and occasionally travels to the East Coast as well. Ryan and his wife, Chalene, were married in July of 2005. They live in Pasadena.

Go here to get a free download of the song:
www.sovereigngracemusic.org/albums

Click here for a sample at the Worship God '09 conference:
www.youtube.com/watch?v=1-4xnWaaWs8




"Before the Throne of God Above"

This song was written by Charitie Lees Smith Bancroft in 1863, but was recently published by Vikki Cook who wrote an alternate melody for it.
You can hear the old version by clicking here. http://www.cyberhymnal.org/htm/b/e/beforetg.htm
You’ll recognize the tune as “Sweet hour of Prayer”

Click here to read through the words:
www.inchristalone.org/BeforeTheThrone.html
What a great line in the second verse:
“For God the just is satisfied to look on Him and pardon me”.

Click here to worship along:
www.youtube.com/watch?v=c_GB_N_79-Q&mode=related&search=





"Here in your Presence"

Jon Egan wrote this song after meditating on the presence of God. He said that as he leads worship for the youth, he sees what a few moments spent in the presence of the Lord can do for people.

Click here to listen to Jon Egan share how he wrote the song, scroll down to the song:
www.theheartofworship.org/stories.shtml

Found in Your hands, fullness of joy
Every fear suddenly wiped away
here in Your presence All of my gains now fade away
Every crown no longer on display,
here in Your presence
Heaven is trembling in awe of Your wonders
The kings and their kingdom are standing amazed
Here in Your presence, we are undone
Here in Your presence, Heaven and Earth become one
Here in Your presence, all things are new
Here in Your presence, everything bows before You
Wonderful, beautiful, glorious, matchlessin every way
Wonderful, beautiful, glorious, matchless in every way

Click here to worship along with the New Life worship team:
www.youtube.com/watch?v=PFZyT2fEK3I

Thursday, December 17, 2009

Behind the Praise - Sunday December 20, 2009

"Go Tell it on the Mountain"

"Go Tell It on the Mountain" is an African-American spiritual dating back to at least 1865 that has been sung and recorded by many gospel and secular performers. It is considered a Christmas carol because its original lyric celebrates the Nativity: "Go tell it on the mountain, over the hills and everywhere; go tell it on the mountain, that Jesus Christ is born."

Like many carols, the precise history of “Go Tell It on the Mountain” is a bit fuzzy. Although generally considered an anonymous work, Studwell believes the piece was written by Frederick Jerome Work (1880-1942), a black composer, teacher and scholar. Work was deeply involved in the collection, arrangement and dissemination of black spirituals, so it is possible, says Studwell, that Work only discovered and preserved the song. However, Studwell’s research has led him to believe that Work actually penned the piece, which was then arranged and disseminated by his nephew John Wesley Work. Studwell places its first publication in the early 1900s, but the piece gained little notice until the 1920s when the Fisk University Singers began performing the song. Even then, it did not make much of a splash.“I looked through hundreds of carol collections and other song books and I could not find it in any collection prior to the 1950s,” says Studwell. About that time the song steadily began to gain in popularity, winning over listeners with energetic beat and its enthusiastic call to action. “Most carols of the 20th century are not so enthusiastic. This is more like some of the older carols, like Joy to the World or Come All Ye Faithful in that regard,” says Studwell. “It shows some real enthusiasm for the Christmas holiday."

Click here to listen to James Taylor sing the song:
www.youtube.com/watch?v=ifEUn1AxDYo

Click here to see the various arrangements available:
www.youtube.com/results?search_query=go+tell+it+on+the+mountain+&search_type=&aq=f

"I Heard the Bells on Christmas Day"

Henry Wadsworth Longfellow wrote "Christmas Bells" on Christmas Day 1863 in the midst of the American Civil War and the news of his son Charles Appleton Longfellow having suffered wounds as a soldier in the Battle of New Hope Church, VA during the Mine Run Campaign. He had suffered the great loss of his wife two years prior to an accident with fire. His despair in the following years was recorded in his journal.
The poem has been set to several tunes. The first tune was set in the 1870s by an English organist, John Baptiste Calkin, to his composition "Waltham". Elvis Presley, the Mormon Tabernacle Choir, and Jimmie Rodgers have recorded this version. Less commonly, the poem has also been set to the 1845 composition "Mainzer" by Joseph Mainzer. Johnny Marks, known for his song "Rudolph the Red-Nosed Reindeer", set Longfellow’s poem to music in the 1950s. Marks' version has been recorded by Fred Waring and the Pennsylvanians, Ed Ames, Kate Smith, Frank Sinatra, Sarah McLachlan, Pedro the Lion, Harry Belafonte, Johnny Cash, The Carpenters, MercyMe, Bing Crosby, and Bette Midler. Marks' composition is now generally accepted as the de facto version and is generally what is used for modern recordings of the song, though Calkin's version is still heard as well. In 1990, John Gorka recorded his arrangement entitled "Christmas Bells", which uses stanzas 1, 2, 6, and 7 of the poem. In 2008, Mark Hall, lead vocalist of Casting Crowns, recorded his own arrangement, which was released on their Christmas album, Peace On Earth.

Click here to listen to the Casting Crowns version:
www.youtube.com/watch?v=M7670CXvPX0

"Good Christian Men Rejoice"


Words: Heinrich Suso (?-1366); Folk­lore has it that Suso, hear­ing an­gels sing these words, joined them in a dance of wor­ship. This song has survived several complex revisions since its anonymous fourteenth-century creation. In 1601, Bartholomaeus Gesius wrote a modern arrangement of the traditional tune, now called "In Dulci Jubilo." Later, Johann Sebastian Bach included Gesius's theme in his Chorale Preludes for the organ. In its next generation, Sir John Stainer made further refinements to the tune under its new title, "Nun singet und seid froh." The Christmas song that we enjoy today is courtesy of Reverend Dr. John Mason Neale, who translated the lyrics into English from German.


Click here to listen to a wonderful choral arrangement:
www.youtube.com/watch?v=HAHe1i27U6c

Click here for an organ arrangement:
www.youtube.com/watch?v=6N-ZAHRfRF8

"Away in a Manger"

Away in a manager is always the first carol that children are taught. Away in a Manger was originally published in 1885. The publication of Away in a Manger was in a Lutheran Sunday school book and this created the misconception that the lyrics of Away in a Manger were actually written by Martin Luther himself. The author is unknown. The music to Away in a Manger was composed by William J. Kirkpatrick in 1895.

Click here to see the various versions available:
www.youtube.com/results?search_query=away+in+a+manger&search_type=&aq=f

Click here to hear celtic arrangement:
www.youtube.com/watch?v=wOJb6uOF05Q

"Untitled Hymn"

This song by Chris Rice was on his recording "Run the earth and watch the sky". What a great name for a recording.

Click here to learn more about Chris
www.christianmusic.com/chrisrice/bio.html

Click here to worship along with the song
www.youtube.com/watch?v=39XD1ImxGWw&mode=related&search=

Click here to listen to worship along with song
www.youtube.com/watch?v=e_4g8_e16dc&mode=related&search=

"God is With Us"

Lisa Speir will share this reflective song by Casting Crowns. Click here to listen to the song:
www.youtube.com/watch?v=xhzWypOp-E4&feature=PlayList&p=827530AE83D06DAF&playnext=1&playnext_from=PL&index=8

Saturday, December 5, 2009

Behind the Praise - Sunday December 13, 2009

"Joy To The World"

One of our most popular Christmas carols is the result of the efforts of Isaac Watts and Lowell Mason—and, some believe, George Frederick Handel. Watts was a frail, quiet man only five feet tall. Mason was an energetic publisher, choir director, and composer. Handel was a large, robust musical genius. Handel and Watts were contemporaries in London and one imagines they must have appreciated each other's talents. Mason lived 100 years later in Boston.
In 1719 Isaac Watts, already a notable scholar and author, sat down under a tree at the Abney Estate near London and began to compose poetry based on Psalm 98. Watts had begun writing verses as a small child. In his teen years he complained that the songs in church were hard to sing. His father said, "Well, you write some that are better." And so he did. For the next two years, young Isaac wrote a new hymn each week. (He would eventually write more than 600 of them, all based on Scripture.) Today, hymns like "Alas! and Did My Savior Bleed" and "When I Survey the Wondrous Cross" are hallmarks of the Christian church, and Watts is regarded as "the Father of English Hymnody."In 1741 George Frederick Handel, who was already famous as the composer of several operas and oratorios, decided that he wanted to do a truly great work. After spending time in prayer, he arose from his knees and for 23 days labored almost continuously day and night. The immortal Messiah, now a Christmas tradition, was the fruit of that incessant struggle.A nobleman once praised Handel for the "entertainment" he had furnished in one of his compositions. In no uncertain terms Handel let the nobleman know that his music was composed to make men better, not to entertain them.Almost a century later, Lowell Mason set Watts's poem of "joy" to music. For years it was assumed that Mason used tunes from Handel's Messiah for portions of the arrangement, but the veracity of that claim is now debated among scholars. Listeners can judge for themselves. But this we know: It was Mason who ultimately brought the pieces together to give us "Joy to the world"

Click here to listen to the acapella group Take 6:
www.youtube.com/watch?v=evywpq32Oa0

Click here if you like Michael Bolton:
www.youtube.com/watch?v=CXY8Vtnrsxc

Click here for the various recordings:
www.youtube.com/results?search_query=joy+to+the+world&search_type=&aq=f

"Down in Bethlehem"

Click here to listen to this song:
www.youtube.com/watch?v=zXyyELHqkII&feature=related

"Hark the Herald Angels Sing"

“Hark the herald angels sing” Christmas Carol was written by Charles Wesley, brother of John Wesley founder of the Methodist church, in 1739. A sombre man, he requested slow and solemn music for his lyrics and thus “Hark the herald angels sing” was sung to a different tune initially. Over a hundred years later Felix Mendelssohn (1809-1847) composed a cantata in 1840 to commemorate Johann Gutenberg's invention of the printing press. English musician William H. Cummings adapted Mendelssohn’s music to fit the lyrics of “Hark the herald angels sing” already written by Wesley.

Click here to listen to the song:
www.youtube.com/watch?v=LDPwNPAV6tAg:

Click here see the various arrangements available: www.youtube.com/results?search_query=hark+the+herald+angels+sing&search_type=&aq=f

"Angels We have Heard on high"

The words of the song are based on a traditional French carol known as Les Anges dans nos Campagnes (literally, The Angels in our Countryside). Its most common English version was translated in 1862 by James Chadwick. It is most commonly sung to the hymn tune "Gloria", as arranged by Edward Shippen Barnes. Its most memorable feature is its chorus: Gloria in Excelsis Deo! (Latin for "Glory to God in the highest")

Click here to listen to Josh Groban:
www.youtube.com/watch?v=ZSfhyjKr7pE

Click here for an arrangement by Christina Aguilera:
www.youtube.com/watch?v=9Zlz1NNBsOw


“You are For me”

Click here to visit Kari Jobe’s website:
http://www.karijobe.com/

Click here to hear Kari share about how she wrote the song:
www.youtube.com/watch?v=mB4phSOaheM&feature=PlayList&p=E7841C140C8806D7&playnext=1&playnext_from=PL&index=7
Click here to listen to Kari Jobe sing the song:
www.youtube.com/watch?v=HdfKTTeGj2U&feature=fvw

Click here to purchase “You are for me”
Kari Jobe - Kari Jobe - You Are for Me

"O Holy Night"

"O Holy Night" ("Cantique de Noël") is a well-known Christmas carol composed by Adolphe Adam in 1847 to the French poem "Minuit, chrétiens" by Placide Cappeau (1808-1877), a wine merchant and poet. Cappeau was asked to write a Christmas poem by a parish priest. It has become a standard modern carol for solo performance with an operatic finish. In the carol, the singer recalls the birth of Jesus. It was translated into English by Unitarian minister John Sullivan Dwight, editor of Dwight's Journal of Music in 1855, and lyrics also exist in other languages. On 24 December 1906, Reginald Fessenden, a Canadian inventor, broadcast the first AM radio program, which included him playing "O Holy Night" on the violin. The carol therefore appears to have been the first piece of music to be broadcast on radio. It later appeared in an edition of carols by Josiah Armes, published by Oxford in 1936, subsequently increasing its popularity.

Click here to listen to Josh Grobans' arrangement:
www.youtube.com/watch?v=zQWXfHzOKUU

Click here to see the other arrangements available:
www.youtube.com/results?search_query=o+holy+night+&search_type=&aq=f

Thursday, November 26, 2009

Behind the Praise - Sunday December 6, 2009

"We Three Kings"


Written by Rev. John Henry Hopkins (1820-1891) in 1857, he wrote both the music and lyrics of this carol. In 1863 the said Christmas carol was published in Rev. Hopkins' Carols, Hymns and Song. "We Three Kings" was written for the General Theological Seminary in New York during their Christmas pageant. Interesting Fact: Aside from being a writer and editor, Hopkins was also a stained glass artist and book illustrator.

We three kings of Orient are Bearing gifts we traverse afar
Field and fountain, moor and mountain


Following yonder star O Star of wonder, star of night
Star with royal beauty bright

Westward leading, still proceeding Guide us to thy Perfect Light

Click here for an arrangement:
www.youtube.com/watch?v=pHf1p3C8iVw

Click here for another arrangement:
www.youtube.com/watch?v=bDe3zcTejjQ

"O Come All Ye Faithful"

Also known in Latin as "Adeste Fidelis", this Christmas carol is credited to an English hymnist named John Francis Wade (1711-1786). Written originally in Latin, 'O Come All Ye Faithful', it was penned as a hymn by an Englishman called John Wade. In Latin, it is known as 'Adeste Fideles'. Another Englishman called John Reading composed its music in early 1700s, which was first published in 'Cantus Diversi' in 1751. Rev. Frederick Oakley translated it to English in 1841.

Click here to read more about the history of the song:
http://en.wikipedia.org/wiki/Adeste_Fideles

Click here to listen to Bianca Ryan sing the song:
www.youtube.com/watch?v=7I8XAf4Rwa4

Click here to hear a traditional setting:
www.youtube.com/watch?v=_ZKp4npV47Q&feature=related

Click here for the various recordings of this Carol:
www.youtube.com/results?search_query=o+come+all+ye+faithful&search_type=&aq=f

"Mary did You know"

Mark Lowry is best known as a singer and comedian who spent more than a decade as a regular fixture of Bill Gaither's vocal band. But years from now, when all is said and done, Lowry's most enduring legacy will probably be the beautiful little song that he wrote 18 years ago as a meditation for a Christmas program at his church.
In 1984, the leaders at Lowry's Nashville congregation asked him if he'd be willing to write a musical for Advent. He gladly agreed.Inspiration came as Lowry focused his heart and mind on the wonder of Christmas.
"I tried to picture Mary holding the baby Jesus on the first Christmas morning and wondered what she was thinking about that child," he says. "She knew he was special—the Virgin Birth was her first clue—but could she ever imagine all the things that he would do while he was here?"
Soon, Lowry came up with a series of questions that he would like to ask Mary: "Did she know he would walk on water? Raise the dead? Give sight to the blind?"
Lowry decided to use the questions as a monologue to be recited between the scenes of his musical. But the profundity of those questions lingered in his mind long after the church musical was done.
Six years later, harmonica virtuoso Buddy Greene supplied just the right music and "Mary, Did You Know?" was complete.
Since then, Lowry and Greene's tune has become a modern classic. It has been recorded by more than 30 different artists (besides Lowry), including Kenny Rogers, Kathleen Battle, and Reba McEntire.
"I hear from a lot of people who have sung it in the church choir for Christmas and Easter programs," says Lowry. "When I wrote it, I felt there was something special there, but I never imagined how wide-reaching it would become."

Click here to listen to the song:
www.youtube.com/watch?v=IfpK6cNPF7Y

"Lord I lift Your Name on High"

Rick Founds wrote this song.It was written in 1989 during Found's morning devotion. Having developed the habit of playing guitar while watching television, he found it very natural to play while reading Scripture on his computer monitor."I'd just reach over and grab my guitar," he recalls. "I'd plunk along with whatever I was reading that day."He remembers marveling one early morning at the love of God who created the world though He knew we would rebel and fall. It amazed Rick that God had a plan to redeem us from the very beginning. As Founds meditated over his cyber-Bible and touched his guitar strings, God's plan struck him as something of a cycle.He thought of the cycle of rain that comes down, waters the earth, evaporates back into the clouds and then returns.Suddenly, the now famous chorus emerged: "You came from heaven to earth to show the way / From the earth to the cross my debt to pay / From the cross to the grave / From the grave to the sky..." Interrupting his own lyric, Founds explains, "The response to grasping even a little bit of that knowledge is praise, and thanksgiving and gratitude!" When he completes the line, 'Lord, I Lift Your Name on High,' a moment of silent awe follows.

Click here to read more about this Carol:
www.ccli.com/WorshipResources/SongStories.cfm?itemID=11

Click here to worship along with Rick Founds:
www.youtube.com/watch?v=vBezK_v_FqY

Click here to worship along with the group Petra:
www.youtube.com/watch?v=2cx5YmS7GXQ&feature=related

Click here to worship along with some great images:
www.youtube.com/watch?v=7OF5iaFNE7Q


“You are For me”

Click here to visit Kari Jobe’s website:
http://www.karijobe.com/

Click here to hear Kari share about how she wrote the song:
www.youtube.com/watchv=mB4phSOaheM&feature=PlayList&p=E7841C140C8806D7&playnext=1&playnext_from=PL&index=7
Click here to listen to Kari Jobe sing the song:
www.youtube.com/watch?v=HdfKTTeGj2U&feature=fvw

Click here to purchase “You are for me”
Kari Jobe - Kari Jobe - You Are for Me



"Tell me the Story of Jesus"

This great hymn was written by Fanny Crosby, here is some short information on her testimony:

The story of Fanny Crosby is one of sorrow, yet of the deepest love. At the age of six weeks old, Fanny developed an eye infection. The family physician was unavailable so another physician was called. He applied hot mustard poultices to the baby’s eyes. This caused severe burns to Fanny’s eyes and she was permanently blind from then on.Fanny never felt bitter but instead grew into a young woman who “saw” God in everything around her and in every circumstance that life handed to her. Although she was physically blind, Fanny had the keenest of spiritual sight…which is reflected in her 9,000 plus hymns. Her love for God and her eagerness to share with others what Christ had done for them brought countless numbers to Christ.


Click here to hear a gaither video of the song great harmony:
www.youtube.com/watch?v=Cclh18f3Fc4

Click here to hear a great trio sing the song:
www.youtube.com/watch?v=JezvAf3PGfU

"The First Noel"

The word Nowell comes from the French word Noël meaning "Christmas", from the Latin word natalis ("birth"). It may also be from the Gaulish words "noio" or "neu" meaning "new" and "helle" meaning "light" referring to the winter solstice when sunlight begins overtaking darkness.


Click here to read more about the song:
http://en.wikipedia.org/wiki/The_First_No%C3%ABl#Animaniacs_parody

Click here to listen to Clay Aiken sing the song:
www.youtube.com/watch?v=gJhlB-CzCsc

Click here to hear Helmut Lotti sing the song:
www.youtube.com/watch?v=We4xRHMuCNg&feature=related**

Click here for an interesting arrangement - one person, two guitars:
www.youtube.com/watch?v=6cyWiw3cSOI



“Crown Him with Many Crowns”

This worshipful text is the combined effort of two distinguished Anglican clergymen, each of whom desired to write a hymn of exaltation to our suffering but now victorious Lord.
Matthew Bridges' version first appeared in 1851 with six stanzas. Twenty-three years later Godfrey Thring wrote six additional stanzas, which appeared in his collection Hymns and Sacred Lyrics. The hymn's present forrn includes stanzas one, two, and four by Bridges and the third verse by Thring.
Each crown in this hymn text exalts Christ for some specific aspect of His person or ministry—
(1) Stanza one for His eternal Kingship;
(2) stanza two for His love demonstrated in redemptive suffering; (
(3) stanza three for His victorious resurrection and ascension, and
(4) stanza four as a member of the Triune Godhead ever worthy of worship and praise.
The tune, Diadernata (the Greek word for crowns), was composed especially for this text by George Elvey, a noted organist at St. George's Chapel in Windsor, England, where British royalty often attend.
Click here to read more about this hymn:
http://songsandhymns.org/hymns/detail/crown-him-with-many-crowns

Click here to listen to the song:
www.youtube.com/watch?v=qdK4lzg8gsU

Click here for another arrangement:
www.youtube.com/watch?v=JWCEFKsZqLY

Wednesday, November 25, 2009

I'M THANKFUL

"More than anything, I’m thankful for Jesus. I could not make it through the day if I didn’t have Him. He lavishly gives His love, grace, mercy, forgiveness, peace, purpose, provision, patience and hope, just to name a few! Jesus is the only thing in life that really matters."

Deborah Reavis

I am thankful for the opportunity to teach and learn from all the terrific GAs. The blessings I have received for 8 wonderful years are far too many to count. Girls, Moms and Dads, You are the best. Thank you God for choosing me for this task.

Kathy Fairchild

Monday, November 23, 2009

BEHIND THE PRAISE - Sunday November 29, 2009

"Hosanna"

Paul Baloche wrote this with Brenton Brown to be sung on Palm Sunday. Contemplating that sense of expectancy led Paul to start with the phrase “Praise is rising”. Paul said there is that same sense of expectancy when God’s people gather to worship that was felt along the road in Jerusalem when the people crowded the streets to get a glimpse of Jesus.
Ever wonder what Hosanna really means? Hosanna is Hebrew for "Save now" from Psalm 118. It is an intensified imperative, a cry, addressed to God, particularly used in the Feast of Tabernacles, when prayers for rain were offered. In the New Testament the crowd shouted it when Jesus entered Jerusalem on Palm Sunday. It is used as an exclamation in Christian worship.

Click here to listen to Paul share how he wrote the song:
www.theheartofworship.org/stories.shtml

Click here to worship along with Paul Baloche
www.youtube.com/watch?v=1TIg2QOzPpg

or here
www.youtube.com/watch?v=7BZoDH2H1Ls

"In the House of the Lord"

This song was composed by Laird Sillimon, check out his ministry here:
www.sillimonsound.com/

Check out Laird's myspace here:
www.myspace.com/lscovenant

Click here for an arrangement of this powerful worship song:
www.youtube.com/watch?v=anFH8nPscfk

"Shout to the North"

Men of faith rise up and sing Of the great and glorious king
You are strong when you feel weak In your brokenness complete

Shout to the north and the southSing to the east and the west
Jesus is saviour to all Lord of heaven and earth

Rise up women of the truth Stand and sing to broken hearts
Who can know the healing powerOf our awesome king of love

We've been through fire.We've been through rain
We've been refined by thepower of his name
We've fallen deeper in love with you You've burned the truth on our lips

Rise up church with broken wings Fill this place with songs again
Of our God who regins on high By his grace again we'll fly.

Click here to sing through the song:
www.youtube.com/watch?v=aqsdnwli0Qo

“I Stand Amazed in the Presence"

This hymn was written by Charles Gabriel. Growing up on an Io­wa farm, Ga­bri­el taught him­self to play the fam­i­ly’s reed or­gan. He be­gan teach­ing in sing­ing schools by age 16, and be­came well known as a teach­er and com­pos­er. He served as mu­sic di­rect­or at Grace Meth­od­ist Epis­co­pal Church, San Fran­cis­co, Cal­i­for­nia (1890-2), then moved to Chi­ca­go, Il­li­nois. In 1912 he be­gan work­ing with Hom­er Ro­de­heav­er’s pub­lish­ing com­pa­ny. His ed­it­ed some 43 song books, 7 men’s chor­us books, 19 an­them col­lect­ions, and 23 can­ta­tas.

I stand amazed in the presence Of Jesus the Nazarene
And I wonder how He could love me, A sinner condemned, unclean.

How marvelous, how wonderful And my song shall ever be.
How marvelous, how wonderful Is my Savior's love for me.

For me it was in the garden He prayed, "Not my will, but thine"
He had no tears for His own griefs, But sweat drops of blood for mine.

He took my sins and my sorrows, He made them His very own;
He bore the burden to Calv'ry, And suffered and died alone.

When with the ransomed in glory His face I at last shall see,
'Twill be my joy thro' the ages, To sing of His love for me.


Click here for an arrangement:
www.youtube.com/watch?v=HjCoX4tRoT8

Click here for another arrangement:
www.youtube.com/watch?v=nkFOtaO8B9c&feature=related

“You are For me”

Click here to visit Kari Jobe’s website:
www.karijobe.com/

Click here to hear Kari share about how she wrote the song:
www.youtube.com/watch?v=mB4phSOaheM&feature=PlayList&p=E7841C140C8806D7&playnext=1&playnext_from=PL&index=7
Click here to listen to Kari Jobe sing the song:
www.youtube.com/watch?v=HdfKTTeGj2U&feature=fvw

Click here to purchase Kari's version:
Kari Jobe - Kari Jobe - You Are for Me

"Jesus Paid it All"

The following is from Alex Nifong who wrote the additional chorus:
I have an old hymnal that I frequently play through sometimes during my private times alone with the Lord. I was playing through that song one day in Jan of 05 and I just started praying and singing out the phrase O praise the One who paid my debt and raised this life up from the dead. It was as simple as that. Just a prayer that came right out of my heart. This is a new arrangement of the old hymn, based on the recording from the Passion album "Everything glorious". It adds a new line "O praise the One who paid my debt and raised this life up from the dead".

Check out the composer of the tag on his website
www.alexnifong.com/

Here’s a story about the song:

The words were written by Elvina M. Hall and the music by John T. Grape on New Year’s night, 1886, some missionaries were holding open-air services in order to attract passers-by to a near-by mission, where meetings were to be held later. "All to Christ I owe" was sung, and after a gentleman had given a short address he hastened away to the mission. He soon heard footsteps close behind him and a young woman caught up with him and said: "I heard you addressing the open-air meeting just now; do you think, sir, that Jesus could save a sinner like me?"The gentleman replied that there was no doubt about that, if she was anxious to be saved. She told him that she was a servant girl, and had left her place that morning after a disagreement with her mistress. As she had been wandering about the streets in the dark, wondering where she was to spend the night, the sweet melodies of this hymn had attracted her, and she drew near and listened attentively. As the different verses were being sung, she felt that the words surely had something to do with her. Through the whole service she seemed to hear what met her oppressed soul’s need at that moment. God’s Spirit had showed her what a poor, sinful and wretched creature she was, and had led her to ask what she must do. On hearing her experience, the gentleman took her back to the mission and left her with the ladies in charge. The young, wayward woman was brought to Christ that night. A situation was secured for her in a minister’s family. There she became ill and had to be taken to a hospital. She rapidly failed and it became evident that she would not be long on earth. One day the gentleman whom she had met on New Year’s night was visiting her in the ward. After quoting a few suitable verses of Scripture, he repeated her favorite hymn, "All to Christ I owe"…and she seemed overwhelmed with the thought of coming to glory…Two hours afterward she passed away.

Click here to worship along
www.youtube.com/watch?v=onxhvivQYfI

Click here to worship along with a younger generation led by Kristian Stanfill:
www.youtube.com/watch?v=i-OOjfaBGnA&mode=related&search=

You can go here to Kristians' myspace and click on the song just to listen
www.myspace.com/kristianstanfill

WOW - here it is in Spanish
www.youtube.com/watch?v=zRRBtWP_buA

Wednesday, November 18, 2009

Behind the Praise - Sunday November 22, 2009

"O Magnify the Lord"

(Regi Stone/Michael Popham)

Click here to learn more about Regi:
www.registone.com/

Michael Popham, who has published and sold 1,000,000 units during his 26-year Christian music ministry. His songs such as "Here in This House" have been recorded by Christian music artists and choirs, including Christ Church Choir, Vicky Yohe, and the Talley Trio. His praise and worship songs, including "At Your Feet" and "God Is My Refuge and Strength," have reached #1 spots on CCLI's recorded charts and been sung by churches all around the world. Popham is one of the worship leaders at Holy Trinity Community Church in Nashville.

O magnify the Lord with me,
Let us exalt His name forever,
O magnify the Lord with
Me let us sing praises unto His name.
For the Lord is good let the earth sing out,
His mercies endure forever,
With a joyful song and a mighty shout
Proclaim His name forever

"You are Good"

Nearly Disposed - Israels' Testimony

My mother became pregnant at the age of 17 in Waterloo, Iowa. You can imagine how this is shaping up. She was given the choice of a back-alley abortion or being disowned by her family. Thank God she chose the latter. Ultimately, she was disowned, abandoned by my biological father, and ended up in San Diego, California. Picture this. It was 1971 and my mother was 8 months pregnant, all alone, thousands of miles from home, and forced to enter reality unprepared. Pretty bleak. One day while walking down the street, a lady pulled up in her Volkswagen Bug, got out, and respectfully yet boldly, began to share the Gospel with her. Words of life and hope began to overtake the words of rejection and abandonment she had grown accustomed to. There on a street corner, she ended up on her knees and cried out to God-committing her life to Jesus Christ. The lady gave her a bible and that's how I got my name. My mother started reading at page one and well, you know-you have a bible, my name's on every page!
I'm often asked by skeptics or the stoic, why I'm as passionate about worshiping God as I am. The answer is simple for me. In this age of disposable relationships, I could have easily become a statistic and at best, a distant memory of a youthful mistake. Instead, a Sovereign God rescued my mother and me and gave us hope, a future, and a testimony of the providence of God. The very least I can do is enter into His gates with fresh thanksgiving, His courts with a passionate praise, and eventually bow before His throne in intimate worship. As far as leading worship goes (which is my passion and calling), I now realize that there have been demands put on me from every part of my experience since day one - culturally, emotionally, musically, and more. So things tend to sound cross-cultural, cross- denominational, and cross-generational. I like to call it, "The Sound of New Breed Worship." I tend to lead from an internal platform founded in Psalm 124:2, "If it had not been for the Lord who was on my side"....where in the world would I be? In an age of disposable relationships, maybe we should be asking ourselves that question a lot more often. I am confident that we would worship with far more conviction, intensity, and overwhelmed gratitude if we did. It is my delight to encourage you today.
Israel

Israel leads a worship band called "New Breed" here's their website, you can listen to portions of the songs they sing including "You are Good" www.newbreedmusic.com/

Click here to learn more about Israel
http://en.wikipedia.org/wiki/Israel_Houghton

Click here to worship along with Israel:
www.youtube.com/watch?v=KAGZ8HmiWCM

Click here to see Israel singing "You are Good" in concert:
www.youtube.com/watch?v=fCpy1Bg255A&feature=related

"Every Where that I Go"

Click here to hear about the story behind the song: www.youtube.com/watchv=5TI9yRDbdZE

Click here to learn more about Israel: http://en.wikipedia.org/wiki/Israel_Houghton

Click here to worship along with the Lakewood Church: www.youtube.com/watchv=d0W0oCGcu8k&feature=related Click

Click here to listen online: www.imeem.com/pickurnose/music/fEmluTVP/everywhere_that_i_go/

"Thank you Lord"

This song of thanksgiving was written by Paul Baloche & Don Moen.

We are commanded to give thanks:Psalm 136:4-9 -

Give thanks to him who alone does mighty miracles. His faithful love endures forever. Give thanks to him who made the heavens so skillfully. His faithful love endures forever. Give thanks to him who placed the earth on the water. His faithful love endures forever. Give thanks to him who made the heavenly lights -- His faithful love endures forever. The sun to rule the day, His faithful love endures forever and the moon and stars to rule the night. His faithful love endures forever

Click here to learn more about Don Moen www.jjonline.com/biographies/donMoen.php

Click here to learn more about Paul Baloches' testimony www.christianmusic.com/paulbaloche/bio.html

Click here to worship along with Don Moen www.youtube.com/watch?v=fZwl_VJJ3xM

“Step By Step”

David Strasser wrote this popular worship song. David also writes under the pseudonym Beaker. David is a christian songwriter and musician well-known for his collaborations with artist Rich Mullins. He received his nickname as a young man, when friends said he looked like Beaker the Muppet.
When Beaker was in the seventh grade, his youth pastor introduced him to his friend Rich Mullins, and the two soon became collaborators. Beaker co-wrote, performed, and toured with Rich Mullins for several years. The first song they wrote together was "Boy Like Me, Man Like You", a 1991 hit for Mullins. Beaker is also responsible for writing the modern praise chorus "Step By Step" ("Oh God, you are my God, and I will ever praise you..."). He was also instrumental in co-founding the Kid Brothers of St. Frank with Rich Mullins, and well as co-writing a musical about Saint Francis of Assisi entitled “Canticle of the Plains”.
In the mid-90s, Beaker dropped out of the spotlight to focus on family life. He and his wife Julie had a son named Aidan, for whom Rich Mullins penned his hit song "Let Mercy Lead".


Click here to worship along with Rich Mullins: www.youtube.com/watch?v=6INI7LteJZg

Click here to worship along with Rich Mullins & Bebo Norman: www.youtube.com/watch?v=y2ugTc4bJ-o&feature=related

"HOW GREAT IS OUR GOD"

This worship song was written by Chris Tomlin. Chris said he almost apologized to the Lord for writing such a simple song, but felt that the English language could only go so far in describing the greatness of our God. After writing the song he felt in his spirit that he had written a song that would be embraced by the church around the world.
Chris received his first guitar from his father, Connie, at the age of eleven after contracting a case of mono. Then, Tomlin wrote his first worship song at age fourteen. He entered college planning to study medicine, but he stated that he felt God's calling to something else and did not pursue that career.In the mid-1990's Tomlin spent time leading worship at the Dawson McAllister Youth Conferences, as well as at various camps around the state of Texas.Following college, at Texas A&M University Tomlin continued to play and write songs, and in 1997, Louie Giglio asked if he would be interested in working with the Passion Conferences. Tomlin agreed, and he has played a key role ever since. His first nationally released solo project, entitled The Noise We Make, was released in 2001, which saw the emergence of songs "Forever" (his most famous song other than "How Great Is Our God"), "Be Glorified", and "Kindness", all of which made the top 200 in the CCLI 2005 top 500 worship songs.
According to Christian Copyright Licensing International's list of the top 25 worship songs in the United States as of August 2007, Tomlin held 5 spots with songs he has either written or co-written with other songwriters: "How Great Is Our God" (#1), "Forever" (#5), "Holy Is the Lord" (#7), "We Fall Down" (#12),and "Indescribable" (#22).
Click here to listen to the story behind the song:www.theheartofworship.org/stories/Story-302-HowGreatisOurGod-Tomlin.mp3
Click here to listen to Chris share about how the song came about on newsong café: www.youtube.com/watch?v=JpfKli_4LQ0&mode=related&search=

Click here to worship along with Chris:
www.youtube.com/watch?v=jjxPG_mRHDs&feature=related

Click here to learn more about Chris’ ministry:
http://en.wikipedia.org/wiki/Chris_Tomlin#Biography

Click here to visit Chris’ website:
www.christomlin.com

Click here to visit Chris’ myspace:
www.myspace.com/christomlin

"Always Forever"

Offertory Sunday will be "Always Forever" sung by Tetelestai. This song was written by Martha Munizzi. In an interview about the album "Change the World" that produced this song, she writes:"This record has songs that we wrote and songs that were brought to me. We went back to the beginning. Songs talk about how we’re created for a purpose, to be loved by God, to love and be loved. When we walk in that understanding, it releases us to love other people. When we’re working so hard, thinking we have to earn His love, then it’s hard to love others.When we receive His love for ourselves, then we can open our hearts and see people the way God see’s them, on another level and another plateau. That’s how the world is transformed by God’s love and not by our religion or our ideas but by our kinship with God, and that’s how we change the world."

For the full interview, click here: http://blackgospel.com/martha-munizzi-interview-2008/

To listen to this song on Youtube, click here: www.youtube.com/watchv=OzdZT3LRinQ&feature=PlayList&p=05093B054F498DC8&playnext=1&playnext_from=PL&index=61

Tuesday, November 10, 2009

Behind the Praise - Sunday November 15, 2009

"God of My Days"

Zach Neese's perspective:"God of My Days" took me two years to write, because I was concerned about the hearts of the people that it would minister to. The lyrics had to be true in the mouths of both mourners and people who were rejoicing. It had to ring true as a sacrifice of praise and as a statement of faith. I began writing out of a holy discontent. I was frustrated by the Church's tendency to paint a happy face over the reality of people's suffering. Sometimes Christians come across as uncompassionate because we deny or fail to address people's pain. Our churches are full of people who are hurting, and many times we make them feel guilty about it.God isn't afraid to talk about pain. He never denies it. He guarantees it (John 16:33). He also guarantees that He will never leave us to face it alone (Hebrews 13:5) and that He is bigger than whatever we're facing.He is the God of every season and situation of our lives.Recently, my wife Jen and I had a baby girl, and God was right there rejoicing with us. A few years ago, we lost a baby boy. God was there for that too, wrapping us in His powerful, comforting arms and helping us mourn. In both situations, He was God. In both, He was worthy of praise, and from both, He will bring something miraculous.Maybe I don't understand. But I believe. He is God of my days, King of my nights, Lord of my laughter and Sovereign in sorrow. He is the Prince of my praise and the Love of my life. He never leaves me, and He is always faithful. He is the God of my days.

Click here to visit Zach's myspace - you can play the song from here.
www.myspace.com/zachneese

Click here to worship along with the gateway worship team:
www.youtube.com/watch?v=qHGaXj-gdEc

Click here for another arrangement:
www.youtube.com/watch?v=YBAExdZPad8



"Turn Your Eyes Upon the Cross"
Worship choir - Soloist Tami McLallen


"Hungry"

This song was written by Kathryn Scott while living in Glasgow. Kathryn found her self desperate for the Lord and this song became her personal cry for revival.

Click here to listen to Kathryn share her story:
www.theheartofworship.org/stories.shtml


Hungry I come to You For I know You satisfy
I am empty but I know Your love does not run dry
So I wait for You So I wait for You I'm falling on my knees
Offering all of me Jesus You're all This heart is living for
Broken I run to You For Your arms are open wide
I am weary but I know Your touch Restores my life


Click here for Kathryns' myspace:
http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendID=95452289

Here is Kathryns' bio:

Kathryn (Rainey) Scott was born into a very musical family with a passion for ministry. During her early childhood, her father Roy and singer/songwriter mom Mildred worked in a recording studio when the family wasn’t travelling across the UK with an evangelism group. It was during those early years that Kathryn made a decision to follow Jesus. And, by age 9, she had begun writing songs with the encouragement of her mom. At 19, she entered Elim Bible College (now Regent’s Theological College) in England, where she studied theology and met her future husband, Alan. The couple married after college and together began to seek God’s plan for their lives, believing they were called to plant a church but not sure of how to go about it. They began the journey by becoming assistant pastors at Alan’s home church, South West Glasgow Vineyard. At that time, Kathryn met award-winning artist and songwriter Brian Doerksen and began working with him to hone her own skills as a worship leader and songwriter. Soon after, she penned the songs Child of God and Hungry, which were eventually recorded by Vineyard Music. Two years later, Alan and Kathryn departed for Northern Ireland to plant a church of their own. A year later, Causeway Coast Vineyard began meeting in a local pub when the couple could find no other available venues. Within a few years, the church grew to a congregation of over 400 adults and 100 children. And, as the church grew, so did Kathryn’s reputation as a songwriter. She signed with Integrity Music and released her critically-acclaimed solo debut Satisfy in 2003. The CD included the popular songs At The Foot Of The Cross, Search Me, Know Me and the evergreen Hungry among others. She also continued writing with Doerksen and artist Paul Baloche, contributing songs and guest vocals to their recent Integrity CDs. In mid-December of ‘07, Kathryn will release I Belong, a studio recording produced by Brent Milligan. The CD features co-writes with Baloche and Doerksen and with her first writing partner and coach, her mom. Kathryn and Alan are busier than ever at Causeway and as parents to their young daughters Sophie and Emily Joy.

Click here to worship along with Kathryn Scott:
www.youtube.com/watch?v=6gPbAz4H6ZE

Click here to listen online:
www.imeem.com/ronny1994/music/EaWlJeAP/kathryn_scott_hungry/

“At the Cross”

Hillsong music ministry

Here’s another worship song written by Darlene Zschech and Reuben Morgan. Here’s a short portion of her testimony and how God delivered her from bulimia.

Darlene's no stranger to troubled teen years. Outwardly her childhood seemed glamorous—she was singing and dancing on a weekly children's television show in Australia, Happy Go 'Round, at the age of 10. But when she was 13, her parents divorced. The pressures of television, combined with the emotional turmoil of her parents' divorce and the custody battle that ensued, took their toll. By age 14, bulimia reared its ugly head. But in 1980, God intervened: Darlene's father rededicated his life to Christ and started taking Darlene to church, where she asked Jesus into her life at 15. While there she also met Mark, her husband of 16 years, with whom she shared faith in Christ. Darlene and Mark dated for a year and a half and married one week after she turned 19.

Click here to learn more about Darlene:
www.darlenezschech.com/

Click here to worship along with the Hillsongs music ministry:
www.youtube.com/watch?v=HRjXBbtbEpM

Click here to worship along in Spanish with the Hillsong music ministry:
www.youtube.com/watch?v=3l8_5WXEpF0

“Here I Am to Worship”

If songs are like children to their writers, then 25 year-old Englishman Tim Hughes carried "Here I Am To Worship" to full term, letting the reverent tune take perfect shape over a nine-month period. Back in 1999 while still in college, he first sat down to craft a musical response to his reading of Philippians 2:5, which says, "Make your own attitude that of Christ Jesus." And from the start, he had the humility part mastered. "I was playing around with my guitar when the verse just came out," he modestly recalls. "However, I couldn't get a chorus that I was happy with. The original one was embarrassingly bad!" Thankfully, Tim recorded the verse into his Dictaphone, and months later during a quiet creative time, he patched it together with another strong melody idea and brought "Here I Am To Worship" to fruition. "I'd been reading about the cross and thinking through Jesus' amazing sacrifice," Tim says of the lyrical theme. "Sometimes when God meets with us we don't quite know how to respond properly. It's often too much for us to take in. Hopefully in a small way the chorus captures that: 'Here I am to worship. Here I am to bow down. Here I am to say that you're my God. You're altogether lovely, worthy, wonderful.'" Although the song had been completed, the writer was still not convinced of its potential. Leading worship at his Soul Survivor home church one day, Tim sang "Here I Am To Worship" for his fellow members and was duly advised by his pastor Mike Pilavachi to start using it more often. Since then, Hughes - who built his own chops leading Delirious and Matt Redman favorites - has seen the song take on a life of its own. It must be a God thing.... People have seemed to really connect with it, and we've had some special times in worship using the song," he admits. "I remember one time at the end of a Worship Together conference in San Diego when we'd been performing the song. The band stopped, and then the congregation just kept singing the chorus for about 15 minutes."

Click here to listen to the story behind the song by Tim Hughes.
www.theheartofworship.org/stories/Story-196-HereIAmtoWorship-Hughes.mp3

Click here to worship along with Michael W. Smith: www.youtube.com/watch?v=Q_kAjok4-Uk

Click here to read more about the composer Tim Hughes
www.crosswalk.com/spirituallife/worship/1227531/

“Jesus Messiah” Offertory by Jason & Stephanie Meyer

This song was written by Chris Tomlin, Daniel Carson, Ed Cash and Jesse Reeves. Chris shared the following on how the song came about.

I have always wanted to write a song with the word messiah in it. I have always been intrigued by the idea of Jesus being the Messiah and I wanted to capture that in a song. Jesus the one who came to save us, he is a rescue for sinners and a ransom from heaven.

Messiah is the transliteration of a Hebrew term, Mashiach. The New Testament (Greek) equivalent is Christos. Both terms mean "the anointed one."

Click here to listen to Chris share how the song came about:
www.youtube.com/watch?v=iHpHIotUzPA

Click here to worship along with Chris Tomlin:
www.youtube.com/watch?v=oAssOfn5cAI

Wednesday, November 4, 2009

Behind the Praise - Sunday November 8, 2009



“Forever”

This worship song is based upon the passage in Psalm 136 “His love endures forever”. It took four years for Chris to finally finish the song after working on the song off and on.

Click here to listen to Chris tell about how he wrote the song:
www.theheartofworship.org/stories/Story-263-Forever-Tomlin.mp3

Click here to learn more about Chris Tomlin:
www.christomlin.com

Click here to worship along with Chris Tomlin:
www.youtube.com/watch?v=wOZVFHqKg1k

"In Him"

This new song is from the pen of Don Poythress.
Click here to learn more about this new worship artist with country roots.
www.youtube.com/watch?v=lYbCGjO4EWw

"Give Thanks to the Lord"

This song was written by Jon Essen, Stew & Karin Essens' son. The song is a great reminder of all that we have to be thankful for.

Give thanks to the Lord for He is the reigning King
Thanks to the Lord the ruler of everything
Thanks to the Lord for He is the reigning King
Thanks to the Lord the Ruler of everything

"Take my Life and Let it Be"

Frances R. Havergal wrote the following about how he wrote the song: I went for a lit­tle vi­sit of five days (to Are­ley House). There were ten per­sons in the house, some un­con­vert­ed and long prayed for, some con­vert­ed, but not re­joic­ing Christ­ians. He gave me the pra­yer, “Lord, give me all in this house!” And He just did. Be­fore I left the house ev­ery one had got a bless­ing. The last night of my vis­it af­ter I had re­tired, the gov­ern­ess asked me to go to the two daugh­ters. They were cry­ing, then and there both of them trust­ed and re­joiced; it was near­ly mid­night. I was too hap­py to sleep, and passed most of the night in praise and re­new­al of my own con­se­cra­tion; and these lit­tle coup­lets formed them­selves, and chimed in my heart one af­ter ano­ther till they fin­ished with “Ever, On­ly, ALL for Thee!”

Click here to hear a newer version of the hymn
www.youtube.com/watch?v=rEzbwcMG9Gc

Click here for a great arrangement:
www.youtube.com/watch?v=HU9Pi4g_3No

“Overcome”

Seated above, enthroned in the Father's love
Destined to die, poured out for all mankind
God's only son perfect and spotless one
He never sinned, but suffered as if he did

All authority, every victory is Yours
All authority, every victory is Yours

Savior, worthy of honor and glory, worthy of all our praise,
You overcame Jesus, awesome in power forever, awesome and great is Your name,

Click here to learn more about Jon Egan composer of this powerful song:
http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendID=34106535

Click here to listen to the story behind the song:
http://blogs.myspace.com/index.cfm?fuseaction=blog.view&friendID=33819070&blogID=440712561

Click here to worship along with the Desperation Band:
www.youtube.com/watch?v=6sjYWrpNoCs

Wednesday, October 28, 2009

Behind the Praise - Sunday November 1, 2009


"New Doxology"

This is a new arrangement of the traditional Doxology. The added verse was written by Thomas Miller worship pastor at Gateway church in Southlake, Texas.
Click here to listen to Thomas share about how he wrote the additional verses from the third person:
www.youtube.com/watch?v=BhN5sdKLDcQ

A doxology (from the Greek doxa, glory + logos, word or speaking) is a short hymn of praise to God in various Christian worship services, often added to the end of canticles, psalms, and hymnsThis doxology has widespread use in English circles, in some Protestant traditions commonly referred to simply as "The Doxology" and in others as “The Common Doxology”, is:Praise God, from Whom all blessings flow;Praise Him, all creatures here below;Praise Him above, ye Heavenly Host;Praise Father, Son, and Holy Ghost. Amen.

This text, which was originally the seventh and final stanza of "Glory to thee, my God, this night", a hymn for evening worship written by Thomas Ken in about 1674, is usually sung to the tune Old 100th, but also to Duke Street by John Hatton, Lasst uns erfreuen, and The Eighth Tune by Thomas Tallis, among others.

Click here for a recording of the Gateway version:
www.youtube.com/watch?v=m_7VhWC4TAU

Click here to listen online:
www.rhapsody.com/gatewayworship

Click here to hear and see the Doxology
www.youtube.com/watch?v=nHCGwJvKRBY&mode=related&search=

Click here to hear one of the most accomplished guitarist present a unique version
www.youtube.com/watch?v=zBE6dfT87yo&mode=related&search=

“When I speak Your Name”

The following is a testimony from Elizabeth Clark who wrote the song.

Music as well as the Word of God has been a part of me even from the beginning of life in my mother's womb; and I have done my best for the past 20 years to follow hard after the heart of God. I have been leading worship for ten years, in youth groups, women's conferences, outdoor events, marriage conferences, worship conferences, youth camps, and have opened for Carmen,Sierra, and Scott Kripaynne, and I have also shared the stage with Rita Springer, Klaus Kuehn, and Lenny Leblanc. Worship leading is not something I just do, I really try to live it, for I was born to worship my Creator. He just happened to give me the gift to sing, play the piano, and write songs. He is my true love.

CHRIST FOR THE NATIONS has been a major part of influence, and a molding and shaping ground for me. I attended there in the fall of 2002-2004, and will never forget the memorable moments of pure and intimate worship, as well as the high praise that went up! God is truly leading the way there. Klaus Kuehn,(a man of wisdom, transparency, and a love for his Savior) has played one of the major roles of inspiration and encouragement in my life and "world of music". I praise my God for what he has done, what He is doing, and what He will do!

Click here to visit Elizabeth Clarks’ myspace:
www.myspace.com/elizabethclarklucid

Click here to listen to the song:
www.youtube.com/watch?v=W2dGtHd5a4k

Click here for another arrangement of the song:
www.youtube.com/watch?v=eygJlLn3vwc

“Brethren We Have Met to Worship”

As a Methodist minister in the early 19th Century, George Atkins began his pastoring in the churches of the Ohio Conference. In 1818, he transferred to Knoxville, Tennessee. Later, in 1826, he received an appointment to preach at Abingdon Town, Virginia. In addition to his ministerial duties, Atkins was also involved with newspapers.In 1819, a year after his arrival in Knoxville, Aktins was inspired to write a powerful hymn text that seemed to distill the essence of the church's purpose as Atkins saw it. This included preaching the Word of God, comforting those in need and saving the souls of sinners be they family, friends or total strangers. In every task, however, Atkins reminded the listener that their various effort were worthless without prayer, which was the key to enabling the grace of God. Atkins compared God's grace to the food that helped sustained the children of Israel during their years in the wilderness--holy manna; bread from heaven. While it is not certain, the hymn may have been used in revival, for it certainly depicts a revived and empowered church as it would have appeared in the culture of the time.Atkins' hymn was first published in 1825 as part of the collection entitled 'The Columbian Harmony' (Cincinnati, Ohio: Morgan, Lodge, and Fisher). The hymn collection was edited by musician William Moore (19th Century) of Wilson County in Central Tennessee. Atkins' text was paired with a melody thought to be written by Moore himself. Appropriately, the melody was called Holy Manna.

Click here to hear the melody and read the words www.cyberhymnal.org/htm/b/r/brethren.htm

Click here for a guitar arrangement:
www.youtube.com/watch?v=Yw35oK2K1S4

Click here for an organ arrangement: www.youtube.com/watch?v=Uphfgg4MTdY&feature=related

"Give us Clean hands"

Charlie Hall wrote this song as a prayer for his generation in 1994. He said he wanted to be a part of the generation that was sold out to seeking God with their whole hearts. When he wrote the song he sensed his generation huddling and praying this prayer, "Oh God let us be the generation that seeks your face Oh, God of Jacob."

Charlie was struck by though that the generation that seeks after him will find him, they will ascend the hill of the Lord. He started praying this scripture and then he says the song just came forth.
The song is based on Psalm 24:3-63 Who may ascend the hill of the LORD ?Who may stand in his holy place?4 He who has clean hands and a pure heart, who does not lift up his soul to an idol or swear by what is false.5 He will receive blessing from the LORD and vindication from God his Savior.6 Such is the generation of those who seek him, who seek your face, O God of Jacob.

Click here to listen to how Charlie Hall wrote this song: www.youtube.com/watch?v=8hkQS8A8FiY

Click here to listen to the song: www.youtube.com/watch?v=pl5zSB3A-Z8

Click here to visit Charlie’s myspace: http://profile.myspace.com/index.cfm?fuseaction=user.viewProfile&friendID=60771694

Click here to learn more about Charlie Hall:
www.charliehall.com/

Click here to worship along with Charlie Hall
www.youtube.com/watch?v=onGbkeWkA64

“Ancient Words”

The following is taken from Lynn Deshazo’s journal on how she wrote this song:

Friday, June 11, 2004 at 10:00
The longer I walk with the Lord, the more love and appreciation I have for the
Bible and for those whom God has used throughout the ages to make it
available to me. I suppose that's the real impetus for my writing "Ancient
Words". I think that I started writing it in the closing weeks of 1998. I'm certain that I finished it on January 13, 1999. I wish I could remember exactly where I was and what I was doing when the idea introduced itself, but I cannot. I was probably doing "normal" things on a "normal" day. What I do remember was how compelling the idea became, and how much I wanted to write it as a contemporary hymn.

Hymn styles certainly vary, but words like "classic" and "timeless" come to mind.
Gerrit Gufstafson, a songwriter and teacher in the body of Christ, calls hymns the
"redwoods" of Christian worship songs because of their enduring appeal. On the other hand, my friend Tina, who didn't grow up in a traditional church, would probably call them "boring". If you mention "hymn" to her, she makes a face! More often than not, though, "hymn" is a word that suggests "roots". In this era of rapid change, there is something very comforting to me about knowing that my faith is rooted in something
This "longing for things ancient", as Gerrit would put it, is a contemporary trend. What we really long for, of course, is not just "things ancient", but a relationship with the Ancient of Days. As we read God's letter of introduction, the Bible, we discover His invitation to enter into a covenant relationship with Him and also the means by which we may walk with Him day by day, in our day. We learn how to live life as it was really meant to be by embracing the wisdom of these
"ancient words", and thus we receive the power to change.

Click here to learn more about Lynn:
www.lynndeshazo.com

Click here to worship along with Michael W. Smith:
www.youtube.com/watch?v=5GVfs4qLISw

Offertory Sunday is "Know my Heart" by Sara Groves, and sung by Carrie Hollingsworth

Why do I pray? Do I pray to say I prayed an hour?
Why do I love? Do I want you beholden to me?
Why do I help? Do I help to hear my name called out?
And why do I sing?

Search me and know my heart, oh God.
See if there is any wrong thing in me.
All I have ever really wanted –Clean hands and a pure heart.

Why do I give? Do I give so I can get a blessing?
Why do I praise? Do I praise to do the right thing?
Why do I serve? Do I serve so others will serve me?
nd Why do I sing?

Search me and know my heart, oh God.
See if there is any wrong thing in me.
All I have ever really wanted –Clean hands and a pure heart.


Wednesday, October 21, 2009

Behind The Praise - Sunday October 25, 2009



"The Lord Reigns"

Here is Klaus' testimony in his own words:

There are moments in each person’s life that shape us and cause us to change our course. One such moment in my life happened in the spring of 2003 at an “Encounter” event in Mexico. I attended the conference to help with worship and ended up with an encounter that would change my life. The word I received that weekend from Lindell was that I had not been forgotten, the Lord had need of me in this hour, and that a fountain for the nations was about to open up. Soon after, I received an invitation to be the Worship Leader at Christ For The Nations Institute in Dallas, Texas. From the fall of 2003 through the spring of 2005 I had the privilege of entering into the presence each morning with about 1000 students who were hungry to see God move in their life. That season also opened up the opportunity to produce two CFNI Worship projects,"Glorious" and "Overtaken". I was born in Germany, but by the time I was ten, my family ended up in Canada after several years in Chicago and Michigan. At the age of five I began taking piano lessons and continued training in classical and jazz until I was about 18. I remember hearing Keith Green for the first time and being captivated by the sound of his heart. A lot of other influences weighed in to shape my musical mindset. In 1984 I left Canada and moved to Dallas, Texas to attend Christ For The Nations, Institute. Soon after graduating, I married Julie, who is an amazing woman and my best friend. We have three children, Candace, 11, Aaron Judah, 2, and Olivia Grace, born June 20th of last year.After a number of years in music ministry in Plano, Texas, we felt a season of change coming into our lives. In 1995 I left the church where I was leading Worship and began getting involved with real estate and remodeling homes. Through the years I have continued traveling and Leading Worship while building custom homes in McKinney, Texas. In the spring of 2005 I left Christ For The Nations and started Pure Worship Ministries. We are producing Worship that I believe, touches the heart of God and ministers to His people. The best is yet to come.

Click here to learn more about Klaus Kuehn:
http://www.klausmusic.com/

Click here to listen online:
www.imeem.com/atst/music/c1gewWR1/klaus_kuehn_the_lord_reigns/

Click here to worship along with Klaus:

www.youtube.com/watch?v=eaWrJtY4fYY&feature=related



"My Hope"

Click here to listen to the song:
www.youtube.com/watch?v=h4zghTKEOX8

This powerful worship song was written by Darlene Zschech. She shared the following on how the song came about.

When I was writing the song, My Hope, there was war about to break out in the middle east, I was sensing fear rising in the community….. and personally I was facing real struggles with my voice, it didn’t want to sing anymore. That is the super short version of the story, but you get the drift… When I went to the Lord in husky, frustrated, barely there worship,
I can confidently say that I KNEW God was hearing my prayer, my concern, and was answering me before I even called.

MY HOPE IS IN THE NAME OF THE LORD, WHERE MY HELP (my support, my rock, my confidence) COMES FROM, MY STRENGTH, MY SONG

"Mighty To Save"

This is another song from the Hillsong music ministry in Sydney Australia. This song is by Reuben Morgan & Ben Fielding. This song has a great re-occuring text. "OUR GOD IS MIGHT TO SAVE". This is taken from the passage in Zephaniah 3:17. “The LORD your God is with you, he is mighty to save. He will take great delight in you, he will quiet you with his love, he will rejoice over you with singing."

Click here to read more about Reuben Morgan
http://en.wikipedia.org/wiki/Reuben_Morgan

Click here to worship along with the song:
www.youtube.com/watch?v=sR8rlTIU8_Y

"Completely Done"

The old is gone, the new is come
What You complete is completely done
We're heirs with Christ, the victory won
What You complete is completely done


This song was written by Jonathan & Ryan Baird. Jonathan is part of Sovereign Grace Church in Pasadena, California, where his dad, Lynn Baird, is a pastor. Jonathan leads the worship-team ministry, and is the primary worship leader at his church. Jonathan also sings and plays guitar for the band West Coast Revival (WCR) with his brothers Aaron and Ryan. Jonathan married his wife, Nicole, in October 2005. They live in Sierra Madre, California. Ryan is a member of Sovereign Grace Church in Pasadena, California, where he helps lead worship and leads the sound team. He sings and plays keyboard for the band West Coast Revival (WCR), which recently released its first self titled album. WCR plays for Sovereign Grace churches in the western U.S., and occasionally travels to the East Coast as well. Ryan and his wife, Chalene, were married in July of 2005. They live in Pasadena.

Go here to get a free download of the song:
www.sovereigngracemusic.org/albums

Click here for a sample at the Worship God '09 conference:
www.youtube.com/watch?v=1-4xnWaaWs8

"Break Dividing Walls"

David Ruis is a great song writer. He wrote songs like "Sweet Mercies", "You're worthy of my praise", "We will Dance", "Let your Glory Fall" and this great song based on Psalm 133 known as the Psalm of unity. Here is a paragraph from his testimony:

I was raised in a very conservative religous household and trained classically musically. My musical journey took me through boys' choirs and classical piano and very little more in the church than the classic "hymn sandwich" every Sunday. My theological journey took me through cessasionsim, suits and ties and very little awareness - let alone understanding or application - of what I now know as "worship".That all began to shift as a young church planter with an encounter with the Lord as the result of colliding with the Vineyard movement of churches in February of 1987. The proverbial paradigm shift propelled me into an intimacy with God that I never even dreamed was possible - a roller coaster of a ride through the gifts of the Holy Spirit and power encounters - to an awareness of the kingdom of God, power that is anchored in compassion and community that has the poor and marginalized at its center.

Click here to listen to the song:
www.imeem.com/melissasolomon/music/hholVDhf/david-ruis-break-dividing-walls/