BEHIND THE PRAISE - SUNDAY August 8, 2010

"Our God"



Click here to listen to the song by Chris Tomlin:
www.youtube.com/watch?v=j_t_87NyHx0

"Bless Your Name Forevermore" worship choir with Steve Hiles

Click here to listen to the song:
www.youtube.com/watch?v=otCmCfkwBR0

"The Stand"

Click here to listen to the song:
www.youtube.com/watch?v=bN1JyZ5yvE0

"Footsteps of Jesus"



The lyrics were written by Mary Bridges Canedy Slade, a Fall River, Massachusetts teacher, assistant editor of The New England Journal of Education and wife of a minister. The melody is by Asa B. Everett who completed his medical training only to pursue a career in music. He studied in Leipzig, Germany for four years



Click here to sing along
www.cgmusic.com/cghymnal/others/f/footstepsofjesus.htm

"The Heart of Worship"



Check the liner notes of almost any modern worship recording, and the name Matt Redman is likely to be among the songwriting credits. Artists and assemblies regularly perform “Let My Words Be Few” (Phillips, Craig & Dean), “Better Is One Day” (Rebecca St. James, Petra), and perhaps most of all, “The Heart of Worship” (Michael W. Smith, Sonic Flood, Passion), a beautifully simple, acoustic confessional ballad. Still, as prolific as these works make him, he says the story behind “The Heart of Worship” in particular is a personal reminder that, “I’m just a little songwriter—and a pretty foolish one at that!”
The song dates back to the late 1990s, born from a period of apathy within Matt’s home church, Soul Survivor, in Watford, England. Despite the country’s overall contribution to the current worship revival, Redman’s congregation was struggling to find meaning in its musical outpouring at the time.
“There was a dynamic missing, so the pastor did a pretty brave thing,” he recalls. “He decided to get rid of the sound system and band for a season, and we gathered together with just our voices. His point was that we’d lost our way in worship, and the way to get back to the heart would be to strip everything away.”
Reminding his church family to be producers in worship, not just consumers, the pastor, Mike Pilavachi, asked, “When you come through the doors on a Sunday, what are you bringing as your offering to God?”
Matt says the question initially led to some embarrassing silence, but eventually people broke into a cappella songs and heartfelt prayers, encountering God in a fresh way.
“Before long, we reintroduced the musicians and sound system, as we’d gained a new perspective that worship is all about Jesus, and He commands a response in the depths of our souls no matter what the circumstance and setting. ‘The Heart of Worship’ simply describes what occurred.”
When the music fades, all is stripped away, and I simply come / Longing just to bring something that’s of worth that will bless your heart… / I’m coming back to the heart of worship, and it’s all about You, Jesus
Redman remembers writing the song quickly in his bedroom soon after the church’s journey together, with no grand intentions, by any means, for it to become an international anthem. He viewed the words simply as his personal, subjective response to what he was learning about worship.
But when Matt shared “The Heart of Worship” with Pilavachi, the pastor suggested making a few small adjustments to the lyrics so any member of the church could relate to it as well.
Amazed by how God has since taken the song around the world for His purposes, the songwriter smiles in regard to his own lack of foresight. “It nearly didn’t go any further than my bedroom. But I love that…”
The trademark tune soon became the title track for Matt Redman’s 1999 album, The Heart of Worship. The recording process was consistent with the artist’s sensitive approach to being in the studio.
“We decided to not get all complicated, and just let the song ‘breathe.’ We’re always trying to create more of a church atmosphere in the studio rather than just a technical musical gathering. Something happens when the people of God gather together and play out the praises of God in the presence of God. Hopefully something of that passion and purpose transcends beyond that studio room onto the recordings themselves.”
Following Matt’s original release, which featured a guest vocal appearance by Martin Smith, lead singer of Delirious, “The Heart of Worship” became a new standard of the modern worship music movement, sung by fellow artists, choirs, and church families alike. Among the ever-rising number of reinterpretations, Redman is especially fond of Michael W. Smith’s from his 2001 classic, Worship.
“I honestly like them all,” he admits. “It’s a great encouragement when people take the songs and run with them. Perhaps my favorite is Michael’s— maybe because it’s a live version and therefore really captures and conveys the heart of the song’s theme.”
Even more encouraging, he says, is when other pastors get in touch to let Matt know how God has used the song to take their congregations through a situation similar to the one his church experienced.
As teachable as “The Heart of Worship” has become, Matt Redman continues to learn about true worship and will journey further into that heart in summer 2004 with a new album, Facedown.
“It’s such a biblical posture in worship that speaks of reverence. If you look through the Bible, there’s a whole host of people who faced up to the glory of God and found themselves facedown in worship. So the album weaves through a theme of reverence, wonder, and mystery in worship, things I feel we really need to grasp more of in our worship expressions. I know that I do!”
Click here to listen to Matt Redman share how the song came about:
www.youtube.com/watch?v=dX0gvdoWf3w

Click here to listen to the song:
www.youtube.com/watch?v=PH-snsXw1as

“Amazing Grace (My Chains are Gone)”



This song was co-authored by Chris Tomlin and Louie Giglio. Chris was touched by the story of John Newton and his testimony of God’s grace. In researching the song Chris discovered that the traditional final verse “When we’ve been there ten thousand years” was actually added a hundred years later. Chris and Louie added this verse back in along with the new bridge-chorus.

Here is the original last verse:
“The earth shall soon dissolve like snow
The sun forbid (forget) (forbear) to shine
But God, who called me here below,
Will be forever mine”

Click here to hear Chris Tomlin share about how he wrote the alternate chorus:
www.youtube.com/watch?v=PU_4lIik9D8

Here is more information on how the song came about.
www.youtube.com/watch?v=IliVc9JqW0I

Click here to watch the music video
www.youtube.com/watch?v=AXV6HJxUebg&mode=related&search=